Showing 1 - 6 of 6
News, Kong Rithdee, Published on 17/01/2026
» There's no place like Thailand. Joyscrolling TikTok and Reels reveals dozens of clips made by international visitors lamenting having to leave our lovely country and return to dreary Europe or joyless America. "Nobody talks about how hard it is to go from this" -- insert a cut of a wonderful beach in Krabi -- "to this"--cut to a drab, damp suburban street somewhere in the West. Add a crying-face emoji. "I want to move here!" the traveller announces. True, everybody loves Thailand.
Oped, Kong Rithdee, Published on 28/08/2025
» Ghosts are useful because they remind us of the unresolved, the unsettled, the unfinished -- in life, love, politics, or history. The film of the moment hitches onto that idea and takes it far, as far as the Cannes Film Festival, and now it has been picked as Thailand's representative for the Oscars.
Life, Kong Rithdee, Published on 16/12/2020
» For filmgoers, it was a year of mortal dread. The screen went dark, like a coffin nailed shut, and is still like that in many places. Faith in cinema as we've known it was rattled, challenged, and endangered with a Biblical overtone; it's a plague we're dealing with, after all. It was a year unlike any other we had seen before in the 125 years since cinema was invented. And while that sounds dispiriting, 2020 has also been a "Year of Great Reckoning" during which the equilibrium was recalibrated and the idea of moving images continues, as it should, to evolve.
News, Kong Rithdee, Published on 30/06/2018
» Time is not on their side, and not on ours. To beat nature and to outrun time -- and what cruel nature and pitiless time -- we give it everything we have.
News, Kong Rithdee, Published on 09/06/2018
» 'The tears were obviously theatrics. They're political tears. Stop crying and stop trying to fool the people. Stop using the same trick over and over for your political gains."
B Magazine, Kong Rithdee, Published on 06/05/2018
» Sunny Suwanmethanont raises his thick eyebrows and chuckles. He forks a piece of mango into his mouth while he considers something -- an existential query of sorts.