Showing 1 - 10 of 48
The world is on fire, but we still have the Oscars
Life, Kong Rithdee, Published on 13/03/2026
» Tight races in several categories as two outstanding American films, Sinners and One Battle After Another, vie for glory with other international titles.
Cannes 2025: What's on our watch list
Life, Kong Rithdee, Published on 13/05/2025
» The 78th edition of Europe's biggest film festival starts today. We take a look at some notable titles across different sections -- Competition, Un Certain Regard, Directors' Fortnight and Critics' Week -- including a Thai film.
Paradise lost
Life, Kong Rithdee, Published on 04/04/2025
» In Grand Tour, Miguel Gomes' beguiling travelogue set in 1917, a British diplomat in Burma journeys across Southeast Asia, hopping from country to country, to avoid an encounter with his fiancée. Edward (Gonçalo Waddington) is a colonial officer who, struck by an inexplicable premonition or a case of cold feet, decides to flee Mandalay just before his sweetheart Molly (Crista Alfaiate) is due to arrive. He boards a ship to Singapore, then a train to Bangkok -- it derails on the way, but still makes it -- and onwards to Saigon, Manila, Osaka and Chongqing. Molly, pursuing him, would repeat a more or less similar route.
The troubled South seen from the top
Life, Kong Rithdee, Published on 06/11/2024
» Materials, objects, found items -- Prach Pimarnman's art is based on the strict conceptualisation of those elements. Raised in Narathiwat, with a family both in Bangkok and the southern province, Prach has investigated Deep South questions conditioned by a fraught, unsettling history and its contemporary aftermath. His works are grounded in the subtlety of texture -- teacups, cement, barbed wire, quilts sewn by local housewives -- and invites reflections on more than one level.
Love, beauty, violence
Life, Kong Rithdee, Published on 24/05/2024
» Last year, the world embraced Barbie and Poor Things, two outstanding films that tapped into the state of female consciousness in the 21st century. At the 77th Cannes Film Festival, which ends tomorrow, women-driven stories of all stripes are pushed further up (or down) the emotional spectrum. A noticeable number of titles premiering at the influential festival feature female protagonists in varying states of joy and distress -- and to varying results. Powerful acting by female talent also injects life and spirit into those stories, hailing from all corners of the Earth.
A Thai actor takes the stage at Cannes
Life, Kong Rithdee, Published on 22/05/2024
» In a dreary rural town in Taiwan, illegal Southeast Asian workers live a precarious existence toiling away in farms or homes while enduring tough bosses and prying authorities. Most of them are from the Philippines or Indonesia, but there are also a large number from Myanmar and Thailand.
Poor Barbie... Oppenheimer's the bomb
Life, Kong Rithdee, Published on 08/03/2024
» The annual guessing game to read the minds of inscrutable Oscars voters is here.
A vintage year for Thai cinema?
Life, Kong Rithdee, Published on 25/12/2023
» There were cheers of jubilation and gasps of disbelief as Thai cinema found itself awash with excitement in 2023. This has been the most successful year for mainstream Thai movies in a decade, a box-office triumph far exceeding all expectations. To many, the 2023 coup de theatre calls for celebration. "We are back!" cried optimistic pundits. But also: "Really? Is it just a one-time cinema party and can we keep the ball rolling?"
Will gentrification respect city's people?
Oped, Kong Rithdee, Published on 28/06/2023
» We've lived for over a century in the shadow of grandeur: near the Customs House, known to Thais as rongpasi. "We" means my maternal family and the community of Haroon Mosque. Each day before sunrise, the muezzin's sing-song call rings through the neighbourhood, carried on the river wind towards the Mandarin Oriental Hotel, the French Embassy and Assumption Cathedral.
Hear her roar
Life, Kong Rithdee, Published on 26/05/2023
» The image of a girl taking off her hijab is wrought with cinematic symbolism. Kamila Andini shows it in her Indonesian film Yuni (2021); Hesome Chemamah in his Thai short I'm Not Your F*cking Stereotype (2019); Ana Lily Amirpour in the Iranian vampire film A Girl Walks Home Alone At Night (2014). Subversion? Provocation? Liberation? At this year's Cannes Film Festival, we see that image in Amanda Nell Eu's Tiger Stripes, a work as playful as it is potent in its portrayal of adolescence and what it entails for a young woman's body.