Showing 1 - 10 of 48
The world is on fire, but we still have the Oscars
Life, Kong Rithdee, Published on 13/03/2026
» Tight races in several categories as two outstanding American films, Sinners and One Battle After Another, vie for glory with other international titles.
Here's to all the useful ghosts of our history
Oped, Kong Rithdee, Published on 28/08/2025
» Ghosts are useful because they remind us of the unresolved, the unsettled, the unfinished -- in life, love, politics, or history. The film of the moment hitches onto that idea and takes it far, as far as the Cannes Film Festival, and now it has been picked as Thailand's representative for the Oscars.
Agents of change
Life, Kong Rithdee, Published on 21/05/2025
» Awash with saturated colour and steeped in Brazil's history of authoritarianism, Kleber Mendoça Filho's The Secret Agent has emerged as a serious contender for the Palme d'Or. A former film critic, programmer and now a leading voice in Brazilian cinema, Mendoça Filho's fourth feature -- and his third in Cannes Competition -- is a political thriller, a tribute to disappeared dissidents, and a deft ode to the way memory is passed through time and technology.
Love, beauty, violence
Life, Kong Rithdee, Published on 24/05/2024
» Last year, the world embraced Barbie and Poor Things, two outstanding films that tapped into the state of female consciousness in the 21st century. At the 77th Cannes Film Festival, which ends tomorrow, women-driven stories of all stripes are pushed further up (or down) the emotional spectrum. A noticeable number of titles premiering at the influential festival feature female protagonists in varying states of joy and distress -- and to varying results. Powerful acting by female talent also injects life and spirit into those stories, hailing from all corners of the Earth.
Coldplay across the universe
Life, Kong Rithdee, Published on 07/02/2024
» The latest Coldplay concert in Bangkok was a feat of photogenic spectacles designed to bedazzle, complete with light-blinking wristbands, sci-fi-warped animation on spherical screens, balloons in the shape of planets and exploding fireworks above the roof of Rajamangala National Stadium ("The football field not often used to play football on," as a Thai national squad member noted.)
Pita and the 'Myth of Sisyphus'
Oped, Kong Rithdee, Published on 15/07/2023
» 'The Gods had condemned Sisyphus to ceaselessly rolling a rock to the top of a mountain, whence the stone would fall back of its own weight."
10 films to watch out for
Life, Kong Rithdee, Published on 16/05/2023
» A fierce hijab girl, a Vietnamese pilgrimage, a Scorsese-DiCaprio team up and a new Cate Blanchett drama, Cannes Film Festival opens today with an eclectic taste of world cinema.
Harry takes Bangkok in Styles
Kong Rithdee, Published on 13/03/2023
» The accessory du jour was the fluffy pink boa. The color scheme was hot pink - pink pants, pink boots, pink cowboy hats, pink eye-shadow, pink hijabs. Or if not pink, then anything in the tooth-aching shades of the rainbow. It was a lively, joyous sight on Saturday night, a show of hot-colored aesthetics in a defiant contrast to the brutalist concrete skeleton of Rajamangala Stadium. How I wish concrete-mad Bangkok could look like this every day!
Pandemonium
Life, Kong Rithdee, Published on 30/09/2022
» The first shot of Athena will be discussed in every writing about the film. A bravura choreography of movement that begins with an intimate close-up of a face and ends, after 10 blood-rushing minutes, with an explosion of revolutionary rage -- a la Les Miserables and Do You Hear The People Sing? transported to a predominantly-Muslim Paris suburb -- that opening shot is so hypnotising and immersive in its non-stop kineticism that we're led to forgive that it's also an earnest show-off, a proud enshrinement of style and attitude over everything else. Romain Gavras, a filmmaker known for making music videos for Jay Z and M.I.A, will cement that approach with many similar shots throughout the film -- long, seemingly uninterrupted shots with parkour camerawork full of angry bodies -- more than enough for aspiring filmmakers of the world to slobber over.
Of zombies and fairy tales
Life, Kong Rithdee, Published on 20/05/2022
» The opening films across the three programmes at the 75th Cannes Film Festival speak of disparate destinies of contemporary cinema, from the poetic to the political and the pointless. Let's start with the latter.