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LIFE

The world is on fire, but we still have the Oscars

Life, Kong Rithdee, Published on 13/03/2026

» Tight races in several categories as two outstanding American films, Sinners and One Battle After Another, vie for glory with other international titles.

OPINION

Living in Thailand's age of impunity

News, Kong Rithdee, Published on 17/01/2026

» There's no place like Thailand. Joyscrolling TikTok and Reels reveals dozens of clips made by international visitors lamenting having to leave our lovely country and return to dreary Europe or joyless America. "Nobody talks about how hard it is to go from this" -- insert a cut of a wonderful beach in Krabi -- "to this"--cut to a drab, damp suburban street somewhere in the West. Add a crying-face emoji. "I want to move here!" the traveller announces. True, everybody loves Thailand.

OPINION

The politics of taste in our election season

Oped, Kong Rithdee, Published on 26/12/2025

» Hell is other people's tastes. Hell is when we passionately hate what people unconditionally love. Hell is when we can't fathom how anyone on the face of the earth can like someone or something we find revolting -- a food, a film, a style, an opening ceremony, a politician, a president.

LIFE

Agents of change

Life, Kong Rithdee, Published on 21/05/2025

» Awash with saturated colour and steeped in Brazil's history of authoritarianism, Kleber Mendoça Filho's The Secret Agent has emerged as a serious contender for the Palme d'Or. A former film critic, programmer and now a leading voice in Brazilian cinema, Mendoça Filho's fourth feature -- and his third in Cannes Competition -- is a political thriller, a tribute to disappeared dissidents, and a deft ode to the way memory is passed through time and technology.

LIFE

Cannes 2025: What's on our watch list

Life, Kong Rithdee, Published on 13/05/2025

» The 78th edition of Europe's biggest film festival starts today. We take a look at some notable titles across different sections -- Competition, Un Certain Regard, Directors' Fortnight and Critics' Week -- including a Thai film.

LIFE

Macondo encountered

Life, Kong Rithdee, Published on 31/12/2024

» Ideally, good books should be left alone, even if they sit enshrined in a cobweb after a thousand years of solitude. In the reality of today's content industrial complex, that is unacceptable. Every good book can be and must be adapted. To watch is to live, to binge is to breathe. Literature is not a paradigm of text but fodder for algorithm. So here it is, with an air of inevitability, the much-touted, long-awaited, rigidly respectful and adequately decent Netflix series One Hundred Years Of Solitude -- the first eight parts, with the remaining eight coming next year.

LIFE

2024 movie moments

Life, Kong Rithdee, Published on 17/12/2024

» The past year was surprisingly fantastic for Thai cinema, and a pretty good one for the rest of the world too.

LIFE

Cannes 2024 highlights

Life, Kong Rithdee, Published on 14/05/2024

» From Francis Ford Coppola's new epic to a Taiwanese drama starring a Thai actor and a Pol Pot drama, we pick hot titles from the French film festival that kicks off today.

LIFE

A vintage year for Thai cinema?

Life, Kong Rithdee, Published on 25/12/2023

» There were cheers of jubilation and gasps of disbelief as Thai cinema found itself awash with excitement in 2023. This has been the most successful year for mainstream Thai movies in a decade, a box-office triumph far exceeding all expectations. To many, the 2023 coup de theatre calls for celebration. "We are back!" cried optimistic pundits. But also: "Really? Is it just a one-time cinema party and can we keep the ball rolling?"

LIFE

Hear her roar

Life, Kong Rithdee, Published on 26/05/2023

» The image of a girl taking off her hijab is wrought with cinematic symbolism. Kamila Andini shows it in her Indonesian film Yuni (2021); Hesome Chemamah in his Thai short I'm Not Your F*cking Stereotype (2019); Ana Lily Amirpour in the Iranian vampire film A Girl Walks Home Alone At Night (2014). Subversion? Provocation? Liberation? At this year's Cannes Film Festival, we see that image in Amanda Nell Eu's Tiger Stripes, a work as playful as it is potent in its portrayal of adolescence and what it entails for a young woman's body.