Showing 1 - 4 of 4
Where the struggle begins
Life, Kong Rithdee, Published on 04/11/2025
» Annemarie Jacir's Palestine 36 reminds us that the question of Palestine didn't begin two years ago but generations before that. Showing at the Tokyo International Film Festival, the film is set in the aftermath of World War I as the European powers carve up the Middle East like a spoiled child slicing his birthday cake: gleefully, arbitrarily, jabbing their fingers on a map with no regard of history or the need of local inhabitants.
Jim Jarmusch's zombies open Cannes
Life, Kong Rithdee, Published on 16/05/2019
» 'Infernal hipsters and their irony." So says a very unhip character in The Dead Don't Die, and of course, what else could it be? Jim Jarmusch's zombie comedy opened the 72nd Cannes Film Festival on Tuesday night with a sort-of infernal hipness that both literalises and subverts the zombie formula -- with mixed results.
The inevitability of farewell
Life, Kong Rithdee, Published on 16/02/2018
» A truly remarkable Thai film, Malila: The Farewell Flower takes big risks and makes it seem the most natural thing in the world.
The many faces of France
Life, Kong Rithdee, Published on 12/01/2018
» At the simplest level Agnes Varda's and JR's Visages Villages is a documentary film about photography and art-making. Going slightly deeper, as the title suggests, it's a film about faces and places, about people and their villages -- rural communities, farmland, factories and towns in the unglamorous corners of France. And yet at its most moving, most humanist moments, this film by an 89-year-old filmmaker and a 33-year-old street artist is about the heartbreaking ephemerality of art, about mortality, memory and the transient nature of everything, above all of life itself.