Showing 1 - 10 of 47
News, Kong Rithdee, Published on 17/01/2026
» There's no place like Thailand. Joyscrolling TikTok and Reels reveals dozens of clips made by international visitors lamenting having to leave our lovely country and return to dreary Europe or joyless America. "Nobody talks about how hard it is to go from this" -- insert a cut of a wonderful beach in Krabi -- "to this"--cut to a drab, damp suburban street somewhere in the West. Add a crying-face emoji. "I want to move here!" the traveller announces. True, everybody loves Thailand.
Oped, Kong Rithdee, Published on 26/12/2025
» Hell is other people's tastes. Hell is when we passionately hate what people unconditionally love. Hell is when we can't fathom how anyone on the face of the earth can like someone or something we find revolting -- a food, a film, a style, an opening ceremony, a politician, a president.
Life, Kong Rithdee, Published on 04/11/2025
» Annemarie Jacir's Palestine 36 reminds us that the question of Palestine didn't begin two years ago but generations before that. Showing at the Tokyo International Film Festival, the film is set in the aftermath of World War I as the European powers carve up the Middle East like a spoiled child slicing his birthday cake: gleefully, arbitrarily, jabbing their fingers on a map with no regard of history or the need of local inhabitants.
Life, Kong Rithdee, Published on 21/11/2024
» Among the many museums in Paris, the Musée Méliès may slip through visitors' attention. That should not be the case.
Life, Kong Rithdee, Published on 24/05/2024
» Last year, the world embraced Barbie and Poor Things, two outstanding films that tapped into the state of female consciousness in the 21st century. At the 77th Cannes Film Festival, which ends tomorrow, women-driven stories of all stripes are pushed further up (or down) the emotional spectrum. A noticeable number of titles premiering at the influential festival feature female protagonists in varying states of joy and distress -- and to varying results. Powerful acting by female talent also injects life and spirit into those stories, hailing from all corners of the Earth.
Life, Kong Rithdee, Published on 22/05/2024
» In a dreary rural town in Taiwan, illegal Southeast Asian workers live a precarious existence toiling away in farms or homes while enduring tough bosses and prying authorities. Most of them are from the Philippines or Indonesia, but there are also a large number from Myanmar and Thailand.
Life, Kong Rithdee, Published on 13/10/2023
» Like Dante guided by Virgil, Marina Abramovic drifts through the purgatory that is Bangkok chaperoned by the little monkey prince. After praying at shrines and temples of assorted spiritual inclinations, she is taken to the Monkey King (Pichet Klunchun), whose rhymed, melodic prophecy finally guides Abramovic to the prayer hall of Wat Pho where her salvation awaits clad in a saffron robe.
Life, Kong Rithdee, Published on 20/01/2023
» A film once overlooked and misunderstood may have found its moment many years later, the work's peculiar vibrations finally detected and at last appreciated.
Life, Kong Rithdee, Published on 30/09/2022
» The first shot of Athena will be discussed in every writing about the film. A bravura choreography of movement that begins with an intimate close-up of a face and ends, after 10 blood-rushing minutes, with an explosion of revolutionary rage -- a la Les Miserables and Do You Hear The People Sing? transported to a predominantly-Muslim Paris suburb -- that opening shot is so hypnotising and immersive in its non-stop kineticism that we're led to forgive that it's also an earnest show-off, a proud enshrinement of style and attitude over everything else. Romain Gavras, a filmmaker known for making music videos for Jay Z and M.I.A, will cement that approach with many similar shots throughout the film -- long, seemingly uninterrupted shots with parkour camerawork full of angry bodies -- more than enough for aspiring filmmakers of the world to slobber over.
Life, Kong Rithdee, Published on 10/06/2022
» Pier Paolo Pasolini was born in Bologna on March 5, 1922, and died in a violent, mysterious circumstance on the outskirts of Rome in November 1975. This year marks the centenary of the Italian poet's and filmmaker's birth, and this Sunday at 1pm, the Thai Film Archive will screen Pasolini's first film as director, Accattone, a gloriously austere ode to underclass plight. It will be the first time the 1961 film is screened in Thailand.