Showing 1 - 10 of 31
The world is on fire, but we still have the Oscars
Life, Kong Rithdee, Published on 13/03/2026
» Tight races in several categories as two outstanding American films, Sinners and One Battle After Another, vie for glory with other international titles.
Living in Thailand's age of impunity
News, Kong Rithdee, Published on 17/01/2026
» There's no place like Thailand. Joyscrolling TikTok and Reels reveals dozens of clips made by international visitors lamenting having to leave our lovely country and return to dreary Europe or joyless America. "Nobody talks about how hard it is to go from this" -- insert a cut of a wonderful beach in Krabi -- "to this"--cut to a drab, damp suburban street somewhere in the West. Add a crying-face emoji. "I want to move here!" the traveller announces. True, everybody loves Thailand.
The politics of taste in our election season
Oped, Kong Rithdee, Published on 26/12/2025
» Hell is other people's tastes. Hell is when we passionately hate what people unconditionally love. Hell is when we can't fathom how anyone on the face of the earth can like someone or something we find revolting -- a food, a film, a style, an opening ceremony, a politician, a president.
Cinema of resistance wins at Cannes
Life, Kong Rithdee, Published on 27/05/2025
» In a year full of richly textured stories about female trauma and painful personal growth, the Cannes jury, led by Juliette Binoche, took the noble route and gave the Palme d'Or to the most political film in the 22-title competition.
Deep in the paradox
Life, Kong Rithdee, Published on 25/05/2022
» In Cairo, a religious student at the prestigious Al-Azhar Islamic University is recruited by secret police to infiltrate a Muslim Brotherhood cell. In Mashad, a holy city in Iran, a serial killer prowls a seedy suburb and strangles head-scarfed prostitutes. In the first film, bloodlust officials torture dissidents with abandon. In the second film, religion is evoked and the name of God is cited as a justification for murder. This begs the obvious question: Will Boy From Heaven be banned in Egypt, and Holy Spider Iran?
A long crusade against healthcare woes
Life, Kong Rithdee, Published on 16/04/2021
» Colectiv, a Romanian documentary film nominated for two Oscars, watches in terror as the Romanian healthcare system practically collapses before the camera. The film elicits a series of gasps, as one shocking revelation leads to another, and another: procurement frauds, bureaucratic incompetence, corruption, nepotism, murder, mass bribery, healthcare mafia, maggots crawling on the head of a patient -- a living patient -- and finally, an election whose preposterous results ring too many familiar bells.
Come and see (no need to pray)
Life, Kong Rithdee, Published on 06/04/2021
» In an ordinary democracy, a film like Ehipassiko (in English, Come And See) shouldn't have had the least bit of worry about the possibility of being banned. The subject itself initially provoked the censors' impulse: this is a finely-tuned, patiently observed documentary about the controversial Wat Dhammakaya and the dramatic 2017 siege of the temple.
The true nature of the beast?
Life, Kong Rithdee, Published on 20/11/2020
» 'Happy families are all alike," said Tolstoy, "every unhappy family is unhappy in its own way."
Uncle Boonmee at 10
Life, Kong Rithdee, Published on 22/05/2020
» Rumour had spread early that morning that the Thai film would win big that night. How big? We daren't dream. The runner-up prize maybe? The Cannes grapevine, in those embryonic days of Facebook and Twitter, was fairly dependable but not downright on the money. It gives you the shape but never the details. The Thai film "will definitely win something", said one of my supposedly well-connected friends, accompanied by a speculative wink.
Eyes wide open
Life, Kong Rithdee, Published on 08/05/2020
» The literature about modern Thai politics is not abundant, and by this I mean a narrative that grounds its characters in the double-whammy of coup d'etat and street protest that characterised the mid-2000s to mid-2010s. The period, plus a few years earlier when Thaksin Shinawatra rose to power, contains some of the most convulsive and era-defining moments that continue to shape the visible and invisible dimensions of Thai society in the present time, and it's astonishing that not more writers find it a rich wellspring of artistic expression (on the contrary, visual artists and theatre artists seem more responsive to the political currents of the same period).