Showing 1 - 10 of 10
Here's to all the useful ghosts of our history
Oped, Kong Rithdee, Published on 28/08/2025
» Ghosts are useful because they remind us of the unresolved, the unsettled, the unfinished -- in life, love, politics, or history. The film of the moment hitches onto that idea and takes it far, as far as the Cannes Film Festival, and now it has been picked as Thailand's representative for the Oscars.
10 films to watch out for
Life, Kong Rithdee, Published on 16/05/2023
» A fierce hijab girl, a Vietnamese pilgrimage, a Scorsese-DiCaprio team up and a new Cate Blanchett drama, Cannes Film Festival opens today with an eclectic taste of world cinema.
Of Naga and political dissidents
Life, Kong Rithdee, Published on 13/09/2021
» The Naga is real but the murder is not. Or is it vice versa? What history chooses to remember and relegate to oblivion, what it enshrines as story and what it buries as hearsay, is how the narrative of a nation is forged in a mould of clay or a furnace of fire. Or in this particular case, in disembowelled bodies stuffed with concrete blocks. The murder is real but the Naga is not. This sounds more like it.
Through the prism of history
Life, Kong Rithdee, Published on 04/10/2019
» The book's title is printed on its spine: Prism Of Photography: Dispersion Of Knowledge And Memories Of The 6 October Massacre. Thereafter, from the first page on, we have only photographs with no captions.
Jim Jarmusch's zombies open Cannes
Life, Kong Rithdee, Published on 16/05/2019
» 'Infernal hipsters and their irony." So says a very unhip character in The Dead Don't Die, and of course, what else could it be? Jim Jarmusch's zombie comedy opened the 72nd Cannes Film Festival on Tuesday night with a sort-of infernal hipness that both literalises and subverts the zombie formula -- with mixed results.
Fierce and pitiful
Life, Kong Rithdee, Published on 20/03/2019
» Krasue is a Thai ghost beside whom vampires -- and other blood-lusting Western monsters -- pale in comparison. Basically a detached head of a woman floating around in the dark, lit up by a phosphorescent glow from her still-beating heart, and with her bloody entrails dangling below the head like an infested creeper, krasue feeds on, naturally, filth, blood, corpses and carcasses. Sometimes it's compared, for the sake of convenience, with Gothic-era will-o'-the-wisp or jack-o'-lantern. But seriously, please, that is a gross under-characterisation that discounts the supreme grotesqueness of krasue, born by the pulpy fantasy of our equatorial folklorists.
A baroque nightmare, upgraded
Life, Kong Rithdee, Published on 02/11/2018
» The original 1977 Suspiria was a trashy bloodbath, an Italian giallo at its most lurid and disturbing -- a lair of maggots, murderers and witches. The remake, in cinemas this week, is high-trash Euro art house, more bourgeois and hipsterish -- a baroque nightmare whose danse macabre has been upgraded to fit the faces and forms of Dakota Johnson and Tilda Swinton. The new film has been directed by Italian Luca Guadagnino (Call Me By Your Name, A Bigger Splash, I Am Love) and shot by Thai cinematographer Sayombhu Mukdeeprom, whose 35mm work here is one of the film's high points.
All in the family
Life, Kong Rithdee, Published on 14/06/2018
» You know you're walking into a horror movie, but the brilliance of Ari Aster's Hereditary is the way it deftly hides its cards and stacks up mystery upon mystery, secret upon secret, madness upon madness, until everything unravels in demonic hellfire. The film ticks all the familiar elements of a ghost story -- a dead grandma, a spooky house, a grave robbery, a candlelit seance where spirits are summoned, a sleepwalker roaming the dim corridor, an occult sign written on the wall, a couple of headless corpses, etc -- but Hereditary rises above the genre formula with its coolly composed formalism, its deliberate pacing, and its sly psychological manipulation that almost convinces us at certain points that this is more of a domestic drama than a horror movie.
Dream, murder and reality
Life, Kong Rithdee, Published on 18/05/2018
» The 11-day Cannes Film Festival will close tomorrow, and as the race for the Palme d'Or is the most breathtaking in years, we look at some of the highlights of the second week of the world's largest movie festival
The inevitability of farewell
Life, Kong Rithdee, Published on 16/02/2018
» A truly remarkable Thai film, Malila: The Farewell Flower takes big risks and makes it seem the most natural thing in the world.