Showing 1 - 10 of 17
Oped, Kong Rithdee, Published on 31/07/2025
» In times of chaos, to call for calm seems naïve. "Imagine there's no countries." Sure, John, I know your utopianism was well-intended, but try telling that to the blood-hounding jingoists running rampant online in Cambodia and Thailand.
Life, Kong Rithdee, Published on 04/04/2025
» In Grand Tour, Miguel Gomes' beguiling travelogue set in 1917, a British diplomat in Burma journeys across Southeast Asia, hopping from country to country, to avoid an encounter with his fiancée. Edward (Gonçalo Waddington) is a colonial officer who, struck by an inexplicable premonition or a case of cold feet, decides to flee Mandalay just before his sweetheart Molly (Crista Alfaiate) is due to arrive. He boards a ship to Singapore, then a train to Bangkok -- it derails on the way, but still makes it -- and onwards to Saigon, Manila, Osaka and Chongqing. Molly, pursuing him, would repeat a more or less similar route.
Life, Kong Rithdee, Published on 31/12/2024
» Ideally, good books should be left alone, even if they sit enshrined in a cobweb after a thousand years of solitude. In the reality of today's content industrial complex, that is unacceptable. Every good book can be and must be adapted. To watch is to live, to binge is to breathe. Literature is not a paradigm of text but fodder for algorithm. So here it is, with an air of inevitability, the much-touted, long-awaited, rigidly respectful and adequately decent Netflix series One Hundred Years Of Solitude -- the first eight parts, with the remaining eight coming next year.
Life, Kong Rithdee, Published on 17/12/2024
» The past year was surprisingly fantastic for Thai cinema, and a pretty good one for the rest of the world too.
Life, Kong Rithdee, Published on 25/03/2022
» Ahead of the Academy Awards on Monday, our film critic shares his thoughts on the big runners.
Life, Kong Rithdee, Published on 21/12/2021
» Doomsayers will have to hold out a little longer. Cinema -- as in people sitting in the dark taking in a communal experience of audiovisual sensations -- is still breathing, moving, enlightening.
Life, Kong Rithdee, Published on 08/12/2021
» The pandemic notwithstanding, it has been a stimulating year for Southeast Asian cinema. Reflective, heartfelt and oddball new titles from Indonesia, Cambodia, Malaysia, Singapore and Thailand have won major prizes or become critical favourites at international film festivals throughout 2021. Now, many of these films are coming to the big screen in Thailand as the Bangkok Asean Film Festival 2021 (BAFF) is set to open tonight.
Life, Kong Rithdee, Published on 21/05/2021
» She came, she provoked, she burned, she left pools of blood and bits of brain on the school yard while laughing her pretty head off all the way to purgatory. She's Nanno, the demon child with Lolita's freckles and the Joker's face-splitting grin. She's the headline girl from the hit Thai series Girl From Nowhere which, since the May 7 release of its Season 2 on Netflix, has made it to the top-10 chart in many Asian countries and summited the algorithm in Thailand, Vietnam and the Philippines. In China, the series' hashtag was for a time trending on Weibo (Nanno's Thai school uniform also inspires Chinese cosplayers).
News, Kong Rithdee, Published on 25/01/2020
» Content, as media gurus keep preaching, is king. But such PowerPoint pep talk is shallow: "Content" -- an increasingly bastardised term that has come to signify TV newscasts, podcasts, movies, viral videos, Netflix series, memes, news articles, editorial features, real advertising, covert advertising, tweets and Facebook posts, organic or boosted -- is also an anaesthetic. It dulls the senses and kills meaning, then proceeds to belittle essence, promote shallowness and eventually undermine the practice of journalism.
Life, Kong Rithdee, Published on 04/10/2019
» The book's title is printed on its spine: Prism Of Photography: Dispersion Of Knowledge And Memories Of The 6 October Massacre. Thereafter, from the first page on, we have only photographs with no captions.