Showing 1 - 10 of 13
The world is on fire, but we still have the Oscars
Life, Kong Rithdee, Published on 13/03/2026
» Tight races in several categories as two outstanding American films, Sinners and One Battle After Another, vie for glory with other international titles.
Here's to all the useful ghosts of our history
Oped, Kong Rithdee, Published on 28/08/2025
» Ghosts are useful because they remind us of the unresolved, the unsettled, the unfinished -- in life, love, politics, or history. The film of the moment hitches onto that idea and takes it far, as far as the Cannes Film Festival, and now it has been picked as Thailand's representative for the Oscars.
Cinema of resistance wins at Cannes
Life, Kong Rithdee, Published on 27/05/2025
» In a year full of richly textured stories about female trauma and painful personal growth, the Cannes jury, led by Juliette Binoche, took the noble route and gave the Palme d'Or to the most political film in the 22-title competition.
Macondo encountered
Life, Kong Rithdee, Published on 31/12/2024
» Ideally, good books should be left alone, even if they sit enshrined in a cobweb after a thousand years of solitude. In the reality of today's content industrial complex, that is unacceptable. Every good book can be and must be adapted. To watch is to live, to binge is to breathe. Literature is not a paradigm of text but fodder for algorithm. So here it is, with an air of inevitability, the much-touted, long-awaited, rigidly respectful and adequately decent Netflix series One Hundred Years Of Solitude -- the first eight parts, with the remaining eight coming next year.
The Silent Film Festival keeps echoing
Life, Kong Rithdee, Published on 06/09/2024
» A rocket-bullet plunging into the Moon’s eye, its mouth pursed halfway between a sneer and a smile. You’ve seen it before, but it’s time to witness one of cinema’s most recognisable images from Le Voyage Dans La Lune (1902) in its colour glory at the 8th Silent Film Festival in Thailand, the annual banquet of early cinema hosted by the Thai Film Archive.
Andalusian dreams
Life, Kong Rithdee, Published on 15/02/2024
» Two Middle Eastern tourists looked excited as they held up a phone to an exquisitely carved arabesque in Nasrid Palace at the Alhambra. No, they're not taking photos. They're comparing the Arabic text on their screen with the 8th century stone calligraphy. I hear them mumble in Arabic -- here's the translation:
Les Miserables: The simmering rage of Paris
Life, Kong Rithdee, Published on 17/05/2019
» Cannes Day 2 witnesses the rage of Paris -- not the yellow wrath of gilets jaunes, but the brown-and-black anger of rundown suburbs that makes up the complex social structure of modern France.
House RCA retrospective honours Japanese Palme d'Or winner
Life, Kong Rithdee, Published on 27/07/2018
» Hirokazu Kore-eda's Shoplifters will open in Thailand on Aug 2, two months after the film won the Palme d'Or at Cannes Film Festival. Among modern Japanese filmmakers, Kore-eda has amassed the strongest following in Thailand, largely due to the fortunate fact that most of his films -- not all, mind you -- have opened commercially here since 2004. To pave the mood for Shoplifters, a gem of a family drama that finally brought the 56-year-old director one of the highest honours in international cinema, the Thai distribution Mongkol Major brings back seven films by the master in a Kore-eda Retrospective programme at House RCA, starting today.
I love dogs
Life, Kong Rithdee, Published on 20/07/2018
» What a film to look at. Isle Of Dogs, like other Wes Anderson films, is good or great or exhausting depending on how much you're willing to hitch a ride with the filmmaker's obsessive visual construction -- his rich, gorgeous, twee, peculiar, fetishising tableau; in this particular case, a handsome indulgence in Japanese aesthetics.
Knives are out in death penalty row
News, Kong Rithdee, Published on 23/06/2018
» To execute or not to execute, the question weighed on Thai society in the past week with the force of righteous anger. It is a tough question, one that lays bare the complex intersection of morality, law, religion, belief, value, and even the position of the country on the spectrum along which the international norm is moving.