Showing 1 - 6 of 6
Cannes asks: Cinema anyone?
Life, Kong Rithdee, Published on 17/05/2024
» To remind us that we're here because of cinema, the 77th Cannes Film Festival did an uncanny double bill on its first day. The festival opened on Tuesday and will run until May 25. On the first afternoon, before the ritzy kerfuffle of the opening red carpet, Cannes screened the first part of the restored 1927 silent film Napoleon, an audacious epic of the French Revolution by Abel Gance, who 97 years ago tested the limits of what cinema could do with exhilarating results (the entire film runs for seven hours; we were treated to the first four here).
A long crusade against healthcare woes
Life, Kong Rithdee, Published on 16/04/2021
» Colectiv, a Romanian documentary film nominated for two Oscars, watches in terror as the Romanian healthcare system practically collapses before the camera. The film elicits a series of gasps, as one shocking revelation leads to another, and another: procurement frauds, bureaucratic incompetence, corruption, nepotism, murder, mass bribery, healthcare mafia, maggots crawling on the head of a patient -- a living patient -- and finally, an election whose preposterous results ring too many familiar bells.
Saint and sensibility
Life, Kong Rithdee, Published on 16/05/2019
» A Christian fable or a Marxist allegory? A magical-realist myth or a political cry against neoliberalism (or feudalism, which produces the same catastrophe anyway)?
Beware the tears of a crocodile
News, Kong Rithdee, Published on 09/06/2018
» 'The tears were obviously theatrics. They're political tears. Stop crying and stop trying to fool the people. Stop using the same trick over and over for your political gains."
The inevitability of farewell
Life, Kong Rithdee, Published on 16/02/2018
» A truly remarkable Thai film, Malila: The Farewell Flower takes big risks and makes it seem the most natural thing in the world.
Oldman shines bright in Darkest Hour
Life, Kong Rithdee, Published on 12/01/2018
» Jowly, chubby, blustery, cinema-ready, Gary Oldman as Winston Churchill is an exercise in How to Win the Golden Globes and Maybe the Oscar. Which aspiring actor wouldn't want to become Churchill at least once, to act out that avuncular theatricality and grandiose temper, to assume that oratory bombast and majestic eloquence? They say you have to play a madman or a psychopath to get a shot at a best actor prize. Now we should add British prime minister into the list -- just ask Meryl Streep and now Oldman.