Showing 1 - 4 of 4
Life, Kong Rithdee, Published on 16/04/2021
» Colectiv, a Romanian documentary film nominated for two Oscars, watches in terror as the Romanian healthcare system practically collapses before the camera. The film elicits a series of gasps, as one shocking revelation leads to another, and another: procurement frauds, bureaucratic incompetence, corruption, nepotism, murder, mass bribery, healthcare mafia, maggots crawling on the head of a patient -- a living patient -- and finally, an election whose preposterous results ring too many familiar bells.
Life, Kong Rithdee, Published on 01/01/2021
» There's a sense of immediacy in School Town King, a Thai documentary about two teenage rappers from the Klong Toey slums. On the surface, this is an advocacy film, one that patiently follows the two underprivileged ghetto boys with an unorthodox dream and their misadventures in Thai schools. But what makes School Town King feel urgent is its exposé of structural narrow-mindedness and the ideological straightjacket that leaves no room for kids who do not fit the mould. The conservative school policy, the film suggests in its visual clues and off-the-cuff asides is a chronic condition that has worsened by the arrogantly old-school regime of past years. In the year of Bad Students and Free Youth upheaval, School Town King is a deafening confirmation that the kids are not all right -- and it's surprising only for ignorant adults why they no longer want to put up with it.
Life, Kong Rithdee, Published on 05/10/2018
» Asia's premier cine-event took off last night. The 23rd Busan International Film Festival once again draws all attention to the South Korean port city as it hosts the annual showcase of films, especially Asian films. One part to promote the South Korean film industry -- a formidable machine of creativity and commerce -- and one part to reign as a centre of filmmaking activity in this part of the world, Busan has gone through some bumps, political and managerial, but remains steadfast in being in the biggest in Asia.
Life, Kong Rithdee, Published on 14/06/2018
» You know you're walking into a horror movie, but the brilliance of Ari Aster's Hereditary is the way it deftly hides its cards and stacks up mystery upon mystery, secret upon secret, madness upon madness, until everything unravels in demonic hellfire. The film ticks all the familiar elements of a ghost story -- a dead grandma, a spooky house, a grave robbery, a candlelit seance where spirits are summoned, a sleepwalker roaming the dim corridor, an occult sign written on the wall, a couple of headless corpses, etc -- but Hereditary rises above the genre formula with its coolly composed formalism, its deliberate pacing, and its sly psychological manipulation that almost convinces us at certain points that this is more of a domestic drama than a horror movie.