Showing 1 - 10 of 15
News, Kong Rithdee, Published on 17/01/2026
» There's no place like Thailand. Joyscrolling TikTok and Reels reveals dozens of clips made by international visitors lamenting having to leave our lovely country and return to dreary Europe or joyless America. "Nobody talks about how hard it is to go from this" -- insert a cut of a wonderful beach in Krabi -- "to this"--cut to a drab, damp suburban street somewhere in the West. Add a crying-face emoji. "I want to move here!" the traveller announces. True, everybody loves Thailand.
Life, Kong Rithdee, Published on 04/04/2025
» In Grand Tour, Miguel Gomes' beguiling travelogue set in 1917, a British diplomat in Burma journeys across Southeast Asia, hopping from country to country, to avoid an encounter with his fiancée. Edward (Gonçalo Waddington) is a colonial officer who, struck by an inexplicable premonition or a case of cold feet, decides to flee Mandalay just before his sweetheart Molly (Crista Alfaiate) is due to arrive. He boards a ship to Singapore, then a train to Bangkok -- it derails on the way, but still makes it -- and onwards to Saigon, Manila, Osaka and Chongqing. Molly, pursuing him, would repeat a more or less similar route.
Life, Kong Rithdee, Published on 06/11/2024
» Materials, objects, found items -- Prach Pimarnman's art is based on the strict conceptualisation of those elements. Raised in Narathiwat, with a family both in Bangkok and the southern province, Prach has investigated Deep South questions conditioned by a fraught, unsettling history and its contemporary aftermath. His works are grounded in the subtlety of texture -- teacups, cement, barbed wire, quilts sewn by local housewives -- and invites reflections on more than one level.
Kong Rithdee, Published on 13/03/2023
» The accessory du jour was the fluffy pink boa. The color scheme was hot pink - pink pants, pink boots, pink cowboy hats, pink eye-shadow, pink hijabs. Or if not pink, then anything in the tooth-aching shades of the rainbow. It was a lively, joyous sight on Saturday night, a show of hot-colored aesthetics in a defiant contrast to the brutalist concrete skeleton of Rajamangala Stadium. How I wish concrete-mad Bangkok could look like this every day!
Life, Kong Rithdee, Published on 13/01/2022
» At Maya Bay, hawk-eyed park officials patrol the sandy stretch, whistles at the ready. It was a gorgeous morning last Thursday, just days after the fabled beach on Phi Phi Leh Island had reopened after three years of closure, and the 300 or so holidaymakers, masked or otherwise, were ambling or striking catwalk poses on the pillow-soft sand, awestruck by the emerald splendour around them.
Life, Kong Rithdee, Published on 08/05/2020
» The literature about modern Thai politics is not abundant, and by this I mean a narrative that grounds its characters in the double-whammy of coup d'etat and street protest that characterised the mid-2000s to mid-2010s. The period, plus a few years earlier when Thaksin Shinawatra rose to power, contains some of the most convulsive and era-defining moments that continue to shape the visible and invisible dimensions of Thai society in the present time, and it's astonishing that not more writers find it a rich wellspring of artistic expression (on the contrary, visual artists and theatre artists seem more responsive to the political currents of the same period).
Life, Kong Rithdee, Published on 19/07/2019
» Memories and war, illusory borders and invisible scars: These themes are resonant in two documentary films shown late last month at the SAC Film Festival (hosted by the Princess Maha Chakri Sirindhorn Anthropology Centre). In the Thai documentary Din Rai Dan (Soil Without Land), a Tai Yai man in Shan state talks about his life as a waiter in Bangkok and as a soldier in his ethnic army. In the Vietnamese film The Future Cries Beneath Our Soil, a group of men in a rural village bear the indelible wounds of the Vietnam War, still stinging after 40 years.
B Magazine, Kong Rithdee, Published on 24/02/2019
» The most important of all unimportant things, the Oscars arrive on Monday morning, Thailand time. In a year that seems more muted than usual, Hollywood's biggest jamboree has striven to stay relevant with the inclusion of blockbuster titles such as Black Panther and Bohemian Rhapsody, besides the more edgy and less popular films that have claimed much of the headlines, such as Roma and Green Book. While there are many cinematic awards around the world, the Oscars still seem to matter the most, and the ritual of predicting the winners is at once a frivolous parlour game and an annual survey of the vital signs of mainstream cinema. Don't bet on it, but we offer our takes here.
Life, Kong Rithdee, Published on 11/01/2019
» The body is a temple. But it can also be a torture chamber, from which escape, while possible, is soul-crushing. Lukas Dhont's Girl is an emphatic, moving story about Lara (Victor Polster), a Belgian trans teen at an elite ballet school who's going through male-to-female gender reassignment. That she has to contend with her own hormones and pre-assigned biological specifics, as well as the fact that her chosen career mandates extreme rigour in how the body should bend and behave, Lara's fight is nothing short of heroic. And in that vein, the film is as well.
Life, Kong Rithdee, Published on 08/10/2018
» With the monsoon comes the art. With the wind and bluster come the artists. Here it is, finally, after a year of fanfare and preparation. The first Bangkok Art Biennale 2018 (BAB 2018) will open on Oct 18 and run until next February in a city-wide surfeit of artistic affairs, from exhibitions to talks, workshops to pool parties (which is, of course, art!). The programme will keep Bangkokians and visitors busy for months starting from next week.