Showing 1 - 10 of 19
The politics of taste in our election season
Oped, Kong Rithdee, Published on 26/12/2025
» Hell is other people's tastes. Hell is when we passionately hate what people unconditionally love. Hell is when we can't fathom how anyone on the face of the earth can like someone or something we find revolting -- a food, a film, a style, an opening ceremony, a politician, a president.
Andalusian dreams
Life, Kong Rithdee, Published on 15/02/2024
» Two Middle Eastern tourists looked excited as they held up a phone to an exquisitely carved arabesque in Nasrid Palace at the Alhambra. No, they're not taking photos. They're comparing the Arabic text on their screen with the 8th century stone calligraphy. I hear them mumble in Arabic -- here's the translation:
Coldplay across the universe
Life, Kong Rithdee, Published on 07/02/2024
» The latest Coldplay concert in Bangkok was a feat of photogenic spectacles designed to bedazzle, complete with light-blinking wristbands, sci-fi-warped animation on spherical screens, balloons in the shape of planets and exploding fireworks above the roof of Rajamangala National Stadium ("The football field not often used to play football on," as a Thai national squad member noted.)
The way I see it...
Life, Kong Rithdee, Published on 25/03/2022
» Ahead of the Academy Awards on Monday, our film critic shares his thoughts on the big runners.
Uncle Boonmee at 10
Life, Kong Rithdee, Published on 22/05/2020
» Rumour had spread early that morning that the Thai film would win big that night. How big? We daren't dream. The runner-up prize maybe? The Cannes grapevine, in those embryonic days of Facebook and Twitter, was fairly dependable but not downright on the money. It gives you the shape but never the details. The Thai film "will definitely win something", said one of my supposedly well-connected friends, accompanied by a speculative wink.
Eyes wide open
Life, Kong Rithdee, Published on 08/05/2020
» The literature about modern Thai politics is not abundant, and by this I mean a narrative that grounds its characters in the double-whammy of coup d'etat and street protest that characterised the mid-2000s to mid-2010s. The period, plus a few years earlier when Thaksin Shinawatra rose to power, contains some of the most convulsive and era-defining moments that continue to shape the visible and invisible dimensions of Thai society in the present time, and it's astonishing that not more writers find it a rich wellspring of artistic expression (on the contrary, visual artists and theatre artists seem more responsive to the political currents of the same period).
Imagining Krabi
Life, Kong Rithdee, Published on 11/03/2020
» There's an archaeology of narrative in Krabi, 2562, a film by Anocha Suwichakornpong and Ben Rivers currently showing in select Bangkok cinemas. Layer upon layer, stratum upon stratum, dust on dust, it gives us a glimpse of how history, legend and biography is constructed. Like playful excavators, the two filmmakers peel off the palimpsest of a place and its people, real and imagined.
Humanity over bureaucracy
Life, Kong Rithdee, Published on 22/11/2019
» Do we need a feature film about the Tham Luang Cave rescue? We already know the characters, the set-up, the conflict, the ending: The 12 youngsters and their coach were saved, transported out unconscious from the flooded grottos in Chiang Rai by a team of elite divers, against the odds of natural or man-made calamities. Miracles, as the world acknowledges, have already been performed. Tears have been shed and a tragedy -- the death of a Thai Navy Seal -- has been mourned.
Women in motion
Life, Kong Rithdee, Published on 24/05/2019
» In Senegal, a teenage Muslim girl in an arranged marriage reunites with her lover, who has returned from his aquatic death. In London, a scientist mother engineers a new plant species that begins to dominate the mind of her young son. In 18th-century France, a portrait painter travels to an island off Brittany to paint a young aristocrat and finds herself smothered by love.
Saint and sensibility
Life, Kong Rithdee, Published on 16/05/2019
» A Christian fable or a Marxist allegory? A magical-realist myth or a political cry against neoliberalism (or feudalism, which produces the same catastrophe anyway)?