Showing 1 - 3 of 3
Cinema of resistance wins at Cannes
Life, Kong Rithdee, Published on 27/05/2025
» In a year full of richly textured stories about female trauma and painful personal growth, the Cannes jury, led by Juliette Binoche, took the noble route and gave the Palme d'Or to the most political film in the 22-title competition.
Hear her roar
Life, Kong Rithdee, Published on 26/05/2023
» The image of a girl taking off her hijab is wrought with cinematic symbolism. Kamila Andini shows it in her Indonesian film Yuni (2021); Hesome Chemamah in his Thai short I'm Not Your F*cking Stereotype (2019); Ana Lily Amirpour in the Iranian vampire film A Girl Walks Home Alone At Night (2014). Subversion? Provocation? Liberation? At this year's Cannes Film Festival, we see that image in Amanda Nell Eu's Tiger Stripes, a work as playful as it is potent in its portrayal of adolescence and what it entails for a young woman's body.
Hear her roar!
Life, Kong Rithdee, Published on 12/04/2018
» Katy Perry, pixie-haired and ever ebullient, roared through her second appearance in Bangkok on Tuesday night with professionalism, humour and ease. This pop-spectacle is as much a visual experience as it is an aural one -- in fact, the visual overwhelmed our attention for the most parts of the 120-minute gig. The stage -- and wardrobe -- dripped with red at one point, shimmered with silver at another, and Perry's team deployed a full arsenal of wacky props, girlish delight and zany sight gags. We even had a fart joke at one point, perhaps the first I ever heard live on the stage from Impact Arena. Perry's appeal cuts a broad swathe across the demographic, and we had a rainbow of humanity thronging the hall: office types, teenagers, party animals, hipsters, Cosplay queens, the LGBT camp, celebrities, people who think they're celebrities, girls in candy-coloured wigs, parents and children -- I mean, first-graders and stuff, lots of them in fact, arriving in cheerful anticipation and looking tired when the proceedings advanced past 11pm. In all, it looked like a cross section between the crowd at a Madonna gig and Disney On Ice. Such is the strange pull of Perry.