Showing 1 - 10 of 21
Oped, Kong Rithdee, Published on 26/12/2025
» Hell is other people's tastes. Hell is when we passionately hate what people unconditionally love. Hell is when we can't fathom how anyone on the face of the earth can like someone or something we find revolting -- a food, a film, a style, an opening ceremony, a politician, a president.
Life, Kong Rithdee, Published on 17/05/2024
» To remind us that we're here because of cinema, the 77th Cannes Film Festival did an uncanny double bill on its first day. The festival opened on Tuesday and will run until May 25. On the first afternoon, before the ritzy kerfuffle of the opening red carpet, Cannes screened the first part of the restored 1927 silent film Napoleon, an audacious epic of the French Revolution by Abel Gance, who 97 years ago tested the limits of what cinema could do with exhilarating results (the entire film runs for seven hours; we were treated to the first four here).
Life, Kong Rithdee, Published on 08/03/2024
» The annual guessing game to read the minds of inscrutable Oscars voters is here.
Life, Kong Rithdee, Published on 07/02/2024
» The latest Coldplay concert in Bangkok was a feat of photogenic spectacles designed to bedazzle, complete with light-blinking wristbands, sci-fi-warped animation on spherical screens, balloons in the shape of planets and exploding fireworks above the roof of Rajamangala National Stadium ("The football field not often used to play football on," as a Thai national squad member noted.)
Life, Kong Rithdee, Published on 19/05/2023
» After the lukewarm opening film -- Maiwenn's Jeanne Du Barry, a fluffy costume drama starring Johnny Depp as King Louis XV -- the 76th Cannes Film Festival had its hottest ticket in a short film. Not just any short though: it's Pedro Almodovar's queer cowboy movie Strange Way Of Life, which saw patient festival-goers queuing up in the Rivera drizzle for nearly an hour to fill up even the worst seat of Salle Debussy on Wednesday.
Life, Kong Rithdee, Published on 17/05/2022
» After the cancellation in 2020 and a bump to the month of July in 2021 -- with smaller attendance as international travel was still interrupted -- the Cannes Film Festival returns to its usual mid-May slot, keyed up and fully prepped to show the world that it's cinema, and the cinema business, as usual.
Life, Kong Rithdee, Published on 13/09/2019
» Not everything ended in the year 1969. Not every sunshiny starlet died gruesomely in her own Cielo Drive villa at the hands of crazed hippies. And not every potbellied actor, fading cowboy and washed-up stunt double bit the Hollywood dust kicked up by the changing of the guard and the closing of that heady decade. Not, at least, in Quentin Tarantino's affectionate, good-humoured, and surprisingly elegiac film about Hollywood and its oddball residents.
Life, Kong Rithdee, Published on 26/07/2019
» Thai cinema saw a new horizon open 20 years ago up this month. On July 23, 1999, a little film called Nang Nak opened in cinemas. An adaptation of the country's most popular ghost tale about a wife who died in childbirth but stuck around as a spirit waiting for her husband to return from war, the film arrived carrying high hopes -- and exceeded all of them. Nang Nak, directed by Nonzee Nimibutr and written by Wisit Sasanatieng, unleashed an unprecedented momentum of enthusiasm and became the first Thai movie to blaze past the 100-million-baht mark at the box office.
Life, Kong Rithdee, Published on 23/05/2019
» Young Ahmed believes he's a true Muslim, one of the few in his Muslim neighbourhood in Belgium. He refuses to shake hands with women, quotes verses from the Koran, berates his mother when she drinks, and condemns Jews and pretty much everyone else as infidels. Fellow Belgian-Muslims who do not subscribe to his imam's rigid interpretation of Islam are branded heretics unworthy of uttering the prophet's name. Young Ahmed, 13, is packed tight on the assembly line of Islamic radicalisation, fired up by a sense of self-righteousness so extreme and narrow that we wonder if it leaves room for something else in him, like love, forgiveness or humanity.
Life, Kong Rithdee, Published on 16/05/2019
» A Christian fable or a Marxist allegory? A magical-realist myth or a political cry against neoliberalism (or feudalism, which produces the same catastrophe anyway)?