Showing 1 - 10 of 19
Living in Thailand's age of impunity
News, Kong Rithdee, Published on 17/01/2026
» There's no place like Thailand. Joyscrolling TikTok and Reels reveals dozens of clips made by international visitors lamenting having to leave our lovely country and return to dreary Europe or joyless America. "Nobody talks about how hard it is to go from this" -- insert a cut of a wonderful beach in Krabi -- "to this"--cut to a drab, damp suburban street somewhere in the West. Add a crying-face emoji. "I want to move here!" the traveller announces. True, everybody loves Thailand.
The long and brutal voyage
Life, Kong Rithdee, Published on 22/05/2025
» In 1521, when his galleon finally cut through the treacherous Pacific Ocean, when the island of Cebu first appeared in his sight at the edge of the horizon, when its slender coconut trees and thatched huts and maybe its half-naked inhabitants came into view, when he lays eyes on all of these, what went through the mind of Ferdinand Magellan?
Paradise lost
Life, Kong Rithdee, Published on 04/04/2025
» In Grand Tour, Miguel Gomes' beguiling travelogue set in 1917, a British diplomat in Burma journeys across Southeast Asia, hopping from country to country, to avoid an encounter with his fiancée. Edward (Gonçalo Waddington) is a colonial officer who, struck by an inexplicable premonition or a case of cold feet, decides to flee Mandalay just before his sweetheart Molly (Crista Alfaiate) is due to arrive. He boards a ship to Singapore, then a train to Bangkok -- it derails on the way, but still makes it -- and onwards to Saigon, Manila, Osaka and Chongqing. Molly, pursuing him, would repeat a more or less similar route.
Macondo encountered
Life, Kong Rithdee, Published on 31/12/2024
» Ideally, good books should be left alone, even if they sit enshrined in a cobweb after a thousand years of solitude. In the reality of today's content industrial complex, that is unacceptable. Every good book can be and must be adapted. To watch is to live, to binge is to breathe. Literature is not a paradigm of text but fodder for algorithm. So here it is, with an air of inevitability, the much-touted, long-awaited, rigidly respectful and adequately decent Netflix series One Hundred Years Of Solitude -- the first eight parts, with the remaining eight coming next year.
Pita and the 'Myth of Sisyphus'
Oped, Kong Rithdee, Published on 15/07/2023
» 'The Gods had condemned Sisyphus to ceaselessly rolling a rock to the top of a mountain, whence the stone would fall back of its own weight."
The passion of Pasolini
Life, Kong Rithdee, Published on 10/06/2022
» Pier Paolo Pasolini was born in Bologna on March 5, 1922, and died in a violent, mysterious circumstance on the outskirts of Rome in November 1975. This year marks the centenary of the Italian poet's and filmmaker's birth, and this Sunday at 1pm, the Thai Film Archive will screen Pasolini's first film as director, Accattone, a gloriously austere ode to underclass plight. It will be the first time the 1961 film is screened in Thailand.
The way I see it...
Life, Kong Rithdee, Published on 25/03/2022
» Ahead of the Academy Awards on Monday, our film critic shares his thoughts on the big runners.
Thai project wins at Doc By The Sea
Life, Kong Rithdee, Published on 15/09/2021
» An important gathering of documentary filmmakers in Southeast Asia "Doc By The Sea" this year had to move online, though it remains a rich, stimulating event that contributes to the documentary community in the region. Usually held in Bali -- thus the "by the sea" moniker -- DBTS this year was titled "Doc By The Sea Accelerator 2021", with a week-long event that ran from Aug 16 to Sept 4 consisting of workshops, masterclasses and pitching sessions for new documentary projects from around the region, while mentors also logged in from Europe, the US and Asia to give commentary and guidance.
Asean on screen
Life, Kong Rithdee, Published on 02/09/2020
» Ahead of the BAFF featuring Southeast Asian movies plus Chinese and Japanese titles, Life spoke with two filmmakers about their work
Back to the source
Life, Kong Rithdee, Published on 24/07/2020
» Evil is not banal in Ju-on: Origins, a particularly grisly six-part Netflix series. The J-horror wave that broke at the turn of the millennium may no longer be in vogue, but this supposed origin story of the 2001 Ju-On: The Grudge is probably even more extreme in its depiction of ghostly malice and vengeance. It's scarier too -- if you have a stomach for murder, disembowelment, matricide and self-combustibility -- because here the origin of violence is mostly domestic: the violence committed by father against mother, mother against daughter, husband against wife, friend against friend. It's a series (or you could see it as a three-hour film) about monsters that shows us that monstrosity really is born and raised first and foremost by humans.