Showing 1 - 10 of 17
The politics of taste in our election season
Oped, Kong Rithdee, Published on 26/12/2025
» Hell is other people's tastes. Hell is when we passionately hate what people unconditionally love. Hell is when we can't fathom how anyone on the face of the earth can like someone or something we find revolting -- a food, a film, a style, an opening ceremony, a politician, a president.
Cinema of resistance wins at Cannes
Life, Kong Rithdee, Published on 27/05/2025
» In a year full of richly textured stories about female trauma and painful personal growth, the Cannes jury, led by Juliette Binoche, took the noble route and gave the Palme d'Or to the most political film in the 22-title competition.
Cannes 2025: What's on our watch list
Life, Kong Rithdee, Published on 13/05/2025
» The 78th edition of Europe's biggest film festival starts today. We take a look at some notable titles across different sections -- Competition, Un Certain Regard, Directors' Fortnight and Critics' Week -- including a Thai film.
Of zombies and fairy tales
Life, Kong Rithdee, Published on 20/05/2022
» The opening films across the three programmes at the 75th Cannes Film Festival speak of disparate destinies of contemporary cinema, from the poetic to the political and the pointless. Let's start with the latter.
In Cannes, it's cinema as usual
Life, Kong Rithdee, Published on 17/05/2022
» After the cancellation in 2020 and a bump to the month of July in 2021 -- with smaller attendance as international travel was still interrupted -- the Cannes Film Festival returns to its usual mid-May slot, keyed up and fully prepped to show the world that it's cinema, and the cinema business, as usual.
To dump or not to dump
Life, Kong Rithdee, Published on 31/12/2019
» The title of a new Thai film is a bilingual wordplay: How To Ting is literally translated as "how to dump". That, I think, is sharper than its tired official English title, Happy Old Year. To dump or not to dump -- things and people, mementos and memories -- that is the question. In the film, a young designer who's dressed like a Muji model, and who has just returned from studying in the minimalist-paradise Sweden, plans to dump all useless objects from her maximalist Bangkok house, where she lives with her mother and brother, and to turn it into an all-white, supremely sparse and unapologetically decluttered interior nirvana -- a home office lifted straight from a Scandinavian style book.
A night of surprises, some splendid
Life, Kong Rithdee, Published on 28/05/2019
» The odds weren't in Asia's favour, since there were only two films from the continent in competition. But South Korea did it, just like Japan had last year. Bong Joon-ho's Parasite won the Palme d'Or at the 72nd Cannes Film Festival, making it the second year in a row that an Asian film has won world cinema's most coveted prize, after last year's victory of Hirokazu Kore-eda's Shoplifters.
Looking for redemption
Life, Kong Rithdee, Published on 23/05/2019
» Young Ahmed believes he's a true Muslim, one of the few in his Muslim neighbourhood in Belgium. He refuses to shake hands with women, quotes verses from the Koran, berates his mother when she drinks, and condemns Jews and pretty much everyone else as infidels. Fellow Belgian-Muslims who do not subscribe to his imam's rigid interpretation of Islam are branded heretics unworthy of uttering the prophet's name. Young Ahmed, 13, is packed tight on the assembly line of Islamic radicalisation, fired up by a sense of self-righteousness so extreme and narrow that we wonder if it leaves room for something else in him, like love, forgiveness or humanity.
Les Miserables: The simmering rage of Paris
Life, Kong Rithdee, Published on 17/05/2019
» Cannes Day 2 witnesses the rage of Paris -- not the yellow wrath of gilets jaunes, but the brown-and-black anger of rundown suburbs that makes up the complex social structure of modern France.
Two grainy fists for resurrection
Life, Kong Rithdee, Published on 04/10/2018
» Shot mostly in Thai prison, with a fair number of ex-cons as extras, A Prayer Before Dawn dives headfirst into the unfiltered squalor of prison life -- not the sociological or political dimension of state incarceration, but the physical, uncooked-meat kind of life in jail, particularly the Thai jail.