Showing 1 - 8 of 8
Cinema of resistance wins at Cannes
Life, Kong Rithdee, Published on 27/05/2025
» In a year full of richly textured stories about female trauma and painful personal growth, the Cannes jury, led by Juliette Binoche, took the noble route and gave the Palme d'Or to the most political film in the 22-title competition.
Come and see (no need to pray)
Life, Kong Rithdee, Published on 06/04/2021
» In an ordinary democracy, a film like Ehipassiko (in English, Come And See) shouldn't have had the least bit of worry about the possibility of being banned. The subject itself initially provoked the censors' impulse: this is a finely-tuned, patiently observed documentary about the controversial Wat Dhammakaya and the dramatic 2017 siege of the temple.
Staying afloat on a sea of despair
Life, Kong Rithdee, Published on 13/12/2019
» Chakra (Sarm Heng) is a Cambodian peasant boy who wants to escape a rural existence that offers him no future. "How's Thailand?" he asks a friend who returns from working at a construction site in Bangkok. "If you work hard, there's no problem," his friend assures him. Through trafficking agents, Chakra is smuggled across the border, but instead of being sent to a factory or a construction site, the boy is thrown onto a fishing trawler and forced to work without pay in conditions resembling a floating prison.
Two grainy fists for resurrection
Life, Kong Rithdee, Published on 04/10/2018
» Shot mostly in Thai prison, with a fair number of ex-cons as extras, A Prayer Before Dawn dives headfirst into the unfiltered squalor of prison life -- not the sociological or political dimension of state incarceration, but the physical, uncooked-meat kind of life in jail, particularly the Thai jail.
Sometimes transcendental, always relevant
Life, Kong Rithdee, Published on 25/05/2018
» The American films were on short supply this year at Cannes -- which in turn deprived the assembly line of red carpet material -- but nobody seemed to mind that except, well, some American media and fashion bloggers. That superfluous caveat aside, the recently wrapped 71st Cannes Film Festival was nearly unanimously praised as one of the best editions in recent memory, with a string of good, sometimes very good, titles playing night after night -- and even the bad films weren't so offensively bad, as was often the case. In the midst of soul-searching following the question of relevance (the world wants Avengers), the rise of streaming (the world watches films on phones), the decline of arthouse popularity, Cannes insists on the sacredness of cinema, on the future of the art, and this year it paid off solidly.
Paint it noir
Life, Kong Rithdee, Published on 13/04/2018
» Jean-Pierre Melville, the supreme stylist of French film noir, is getting the retrospective he (and his fans) truly deserve. Starting on April 17, the Alliance Francaise Bangkok will screen five Melville films, plus one documentary about the filmmaker and another that makes strong allusion to his style.
A comedy likely to end only in horror
News, Kong Rithdee, Published on 03/02/2018
» The junta can read the stars and history and they must know this isn't going to end well. As frustration grows, as protests form, as their support ebbs even their idol Gen Prem Tinsulanonda flat-out said so they amp up censorship and tighten the squeeze, not with gusto but with desperation. With Deputy Prime Minister Gen Prawit Wongsuwon looking increasingly like a plump Chinese deity on the verge of losing his worshippers, the regime reacts with force, gagging tactics and plain old bullying.
Paper-thin alibi for kids' day gun play
News, Kong Rithdee, Published on 13/01/2018
» The irony must have been lost on him and on everyone around him. This Children's Day -- the day of machine guns, tanks and rocket launchers -- Thai kids will also get to take pictures with our cardboard prime minister, 10 standees in fact, in various poses and costumes deployed around Government House as special attractions.