Showing 1 - 10 of 16
The world is on fire, but we still have the Oscars
Life, Kong Rithdee, Published on 13/03/2026
» Tight races in several categories as two outstanding American films, Sinners and One Battle After Another, vie for glory with other international titles.
Pandemonium
Life, Kong Rithdee, Published on 30/09/2022
» The first shot of Athena will be discussed in every writing about the film. A bravura choreography of movement that begins with an intimate close-up of a face and ends, after 10 blood-rushing minutes, with an explosion of revolutionary rage -- a la Les Miserables and Do You Hear The People Sing? transported to a predominantly-Muslim Paris suburb -- that opening shot is so hypnotising and immersive in its non-stop kineticism that we're led to forgive that it's also an earnest show-off, a proud enshrinement of style and attitude over everything else. Romain Gavras, a filmmaker known for making music videos for Jay Z and M.I.A, will cement that approach with many similar shots throughout the film -- long, seemingly uninterrupted shots with parkour camerawork full of angry bodies -- more than enough for aspiring filmmakers of the world to slobber over.
Asean on screen
Life, Kong Rithdee, Published on 02/09/2020
» Ahead of the BAFF featuring Southeast Asian movies plus Chinese and Japanese titles, Life spoke with two filmmakers about their work
Staying afloat on a sea of despair
Life, Kong Rithdee, Published on 13/12/2019
» Chakra (Sarm Heng) is a Cambodian peasant boy who wants to escape a rural existence that offers him no future. "How's Thailand?" he asks a friend who returns from working at a construction site in Bangkok. "If you work hard, there's no problem," his friend assures him. Through trafficking agents, Chakra is smuggled across the border, but instead of being sent to a factory or a construction site, the boy is thrown onto a fishing trawler and forced to work without pay in conditions resembling a floating prison.
Quentin's Hollywood, circa 1969
Life, Kong Rithdee, Published on 13/09/2019
» Not everything ended in the year 1969. Not every sunshiny starlet died gruesomely in her own Cielo Drive villa at the hands of crazed hippies. And not every potbellied actor, fading cowboy and washed-up stunt double bit the Hollywood dust kicked up by the changing of the guard and the closing of that heady decade. Not, at least, in Quentin Tarantino's affectionate, good-humoured, and surprisingly elegiac film about Hollywood and its oddball residents.
Memories buried in soil
Life, Kong Rithdee, Published on 19/07/2019
» Memories and war, illusory borders and invisible scars: These themes are resonant in two documentary films shown late last month at the SAC Film Festival (hosted by the Princess Maha Chakri Sirindhorn Anthropology Centre). In the Thai documentary Din Rai Dan (Soil Without Land), a Tai Yai man in Shan state talks about his life as a waiter in Bangkok and as a soldier in his ethnic army. In the Vietnamese film The Future Cries Beneath Our Soil, a group of men in a rural village bear the indelible wounds of the Vietnam War, still stinging after 40 years.
Space oddity
Life, Kong Rithdee, Published on 12/12/2018
» Parking curbs, in different colours, are arranged in a pattern in a gallery, which occupies a section of a parking space. In one corner of the room are seven cardboard boxes, which contain dozens of brown, slightly dog-eared log books, handwritten by security guards and caretakers of the National Gallery, dating back to the 1990s. Dry report on daily activities fill page after page. "5pm: closed room 1-4. 5.30pm, close the office. Midnight: new shift starts. Situation normal," reads an entry from March 1998.
A hint of political maturation
Life, Kong Rithdee, Published on 25/09/2018
» The Bangkok Art and Culture Centre has been put under bureaucratic pressure, its budget cut and its relations with Bangkok Metropolitan Authority strained. One way to support this hub of contemporary art in downtown Bangkok is simple: visit the place, admire the art and the events, and show that the city needs a modern, open-minded art and culture venue unshackled by the old guard.
La La Land, Moonlight directors invoke 2016
Life, Kong Rithdee, Published on 13/09/2018
» Two years ago it was Damien Chazelle's La La Land vs Barry Jenkins' Moonlight at the Oscars. This year, the race between the same two directors seems to be shaping up again. This week at Toronto International Film Festival, Chazelle returns with his "Moon movie" First Man, and Jenkins with his adaptation of James Baldwin's If Beale Street Could Talk. The award season -- for those who still care -- is gearing up full steam now.
Asean films receive special showcase
Life, Kong Rithdee, Published on 04/07/2018
» The riches of Southeast Asian stories and images are celebrated at the 4th Bangkok Asean Film Festival, which opens tonight at SF CentralWorld and runs until Sunday. Hosted by the Thai Ministry of Culture, this year's edition marks the 51st anniversary of the Association of Southeast Asian Nations, the regional body whose primary mission is economics and which increasingly pays more heed to cultural promotion.