Showing 1 - 10 of 19
Living in Thailand's age of impunity
News, Kong Rithdee, Published on 17/01/2026
» There's no place like Thailand. Joyscrolling TikTok and Reels reveals dozens of clips made by international visitors lamenting having to leave our lovely country and return to dreary Europe or joyless America. "Nobody talks about how hard it is to go from this" -- insert a cut of a wonderful beach in Krabi -- "to this"--cut to a drab, damp suburban street somewhere in the West. Add a crying-face emoji. "I want to move here!" the traveller announces. True, everybody loves Thailand.
Woman directors fare strongly at Cannes this year
Life, Kong Rithdee, Published on 16/05/2025
» Cannes 2025 features seven films by female directors in the main competition, equalling the record set in 2023.
Love, beauty, violence
Life, Kong Rithdee, Published on 24/05/2024
» Last year, the world embraced Barbie and Poor Things, two outstanding films that tapped into the state of female consciousness in the 21st century. At the 77th Cannes Film Festival, which ends tomorrow, women-driven stories of all stripes are pushed further up (or down) the emotional spectrum. A noticeable number of titles premiering at the influential festival feature female protagonists in varying states of joy and distress -- and to varying results. Powerful acting by female talent also injects life and spirit into those stories, hailing from all corners of the Earth.
A Thai actor takes the stage at Cannes
Life, Kong Rithdee, Published on 22/05/2024
» In a dreary rural town in Taiwan, illegal Southeast Asian workers live a precarious existence toiling away in farms or homes while enduring tough bosses and prying authorities. Most of them are from the Philippines or Indonesia, but there are also a large number from Myanmar and Thailand.
Coldplay across the universe
Life, Kong Rithdee, Published on 07/02/2024
» The latest Coldplay concert in Bangkok was a feat of photogenic spectacles designed to bedazzle, complete with light-blinking wristbands, sci-fi-warped animation on spherical screens, balloons in the shape of planets and exploding fireworks above the roof of Rajamangala National Stadium ("The football field not often used to play football on," as a Thai national squad member noted.)
Girlhood and a city in flux
Life, Kong Rithdee, Published on 12/10/2021
» An Indonesian teen drama and Cambodian prize-winner shine at Busan Film Festival.
Rebel without a cause
Life, Kong Rithdee, Published on 21/05/2021
» She came, she provoked, she burned, she left pools of blood and bits of brain on the school yard while laughing her pretty head off all the way to purgatory. She's Nanno, the demon child with Lolita's freckles and the Joker's face-splitting grin. She's the headline girl from the hit Thai series Girl From Nowhere which, since the May 7 release of its Season 2 on Netflix, has made it to the top-10 chart in many Asian countries and summited the algorithm in Thailand, Vietnam and the Philippines. In China, the series' hashtag was for a time trending on Weibo (Nanno's Thai school uniform also inspires Chinese cosplayers).
Uncle Boonmee at 10
Life, Kong Rithdee, Published on 22/05/2020
» Rumour had spread early that morning that the Thai film would win big that night. How big? We daren't dream. The runner-up prize maybe? The Cannes grapevine, in those embryonic days of Facebook and Twitter, was fairly dependable but not downright on the money. It gives you the shape but never the details. The Thai film "will definitely win something", said one of my supposedly well-connected friends, accompanied by a speculative wink.
We need less 'content' and more journalism
News, Kong Rithdee, Published on 25/01/2020
» Content, as media gurus keep preaching, is king. But such PowerPoint pep talk is shallow: "Content" -- an increasingly bastardised term that has come to signify TV newscasts, podcasts, movies, viral videos, Netflix series, memes, news articles, editorial features, real advertising, covert advertising, tweets and Facebook posts, organic or boosted -- is also an anaesthetic. It dulls the senses and kills meaning, then proceeds to belittle essence, promote shallowness and eventually undermine the practice of journalism.
Staying afloat on a sea of despair
Life, Kong Rithdee, Published on 13/12/2019
» Chakra (Sarm Heng) is a Cambodian peasant boy who wants to escape a rural existence that offers him no future. "How's Thailand?" he asks a friend who returns from working at a construction site in Bangkok. "If you work hard, there's no problem," his friend assures him. Through trafficking agents, Chakra is smuggled across the border, but instead of being sent to a factory or a construction site, the boy is thrown onto a fishing trawler and forced to work without pay in conditions resembling a floating prison.