Showing 1 - 9 of 9
The politics of taste in our election season
Oped, Kong Rithdee, Published on 26/12/2025
» Hell is other people's tastes. Hell is when we passionately hate what people unconditionally love. Hell is when we can't fathom how anyone on the face of the earth can like someone or something we find revolting -- a food, a film, a style, an opening ceremony, a politician, a president.
The troubled South seen from the top
Life, Kong Rithdee, Published on 06/11/2024
» Materials, objects, found items -- Prach Pimarnman's art is based on the strict conceptualisation of those elements. Raised in Narathiwat, with a family both in Bangkok and the southern province, Prach has investigated Deep South questions conditioned by a fraught, unsettling history and its contemporary aftermath. His works are grounded in the subtlety of texture -- teacups, cement, barbed wire, quilts sewn by local housewives -- and invites reflections on more than one level.
Poor Barbie... Oppenheimer's the bomb
Life, Kong Rithdee, Published on 08/03/2024
» The annual guessing game to read the minds of inscrutable Oscars voters is here.
Changing the narrative
Life, Kong Rithdee, Published on 02/09/2022
» A man returns home from work in Malaysia after Covid-19 struck, then gets lost in a bureaucratic labyrinth trying to get government handouts. Another woman finds a job at a factory, but the rules require her to compromise her faith. In Yala, a skater boy sets out in search of a friendly park where he can enjoy his ride. A hijab-wearing K-pop fanatic is getting married to a man who has just converted to Islam. And in a Pattani family, a young man watches his mother being possessed by a spirit, possibly a black-magic attack from his business rival.
Beyond borders
Life, Kong Rithdee, Published on 18/03/2020
» The two-channel video work by Ampannee Satoh begins with specks of light and ends, naturally, with darkness. Two cameras were attached at the bow and stern of a fishing boat, purportedly the same type used by Rohingya refugees when they fled whatever was hounding them into the sea. The images they captured are wobbly, disoriented, seasick-inducing, and for 20 minutes they simulate the experience of being lost at sea in the middle of the night -- the experience of displaced people unmoored in the lightless sea.
View from the Far South
Life, Kong Rithdee, Published on 06/12/2019
» Young men lie face-down on the floor, their hands tied at the back. Uniformed officers punch and kick them. "Squeeze in!" they shout at the men on the ground. More kicks, more punches.
Cool Pattani
Life, Kong Rithdee, Published on 06/09/2019
» Last weekend, along an old street in Pattani, skater boys and Lambretta riders were hanging out with poets and activists. As the rain let up and the night cooled, jazz musicians hummed and strummed, while a DJ was spinning upbeat music next to a digitally-mapped, fashionably-faded brick wall.
Time is not on our side
Life, Kong Rithdee, Published on 25/01/2018
» This is a note on an important Thai film that is unlikely to be shown in Thailand. Such is the fate of home-grown cinema in a time of disease, the time of a black hole.
Report from the far South
Life, Kong Rithdee, Published on 15/01/2018
» The first issue of The Melayu Review has the clean sophistication of a respectable literary journal. The layout is unfussy, the photographs black-and-white, and the text in Thai, in shipshape blocks. An editor's note on the first page quotes Dostoyevsky: "But how could you live and have no story to tell?"