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Search Result for “Lanna opera concert”

Showing 1 - 10 of 16

OPINION

The politics of taste in our election season

Oped, Kong Rithdee, Published on 26/12/2025

» Hell is other people's tastes. Hell is when we passionately hate what people unconditionally love. Hell is when we can't fathom how anyone on the face of the earth can like someone or something we find revolting -- a food, a film, a style, an opening ceremony, a politician, a president.

OPINION

Journalism is the first victim in a conflict

Oped, Kong Rithdee, Published on 31/07/2025

» In times of chaos, to call for calm seems naïve. "Imagine there's no countries." Sure, John, I know your utopianism was well-intended, but try telling that to the blood-hounding jingoists running rampant online in Cambodia and Thailand.

LIFE

Coppola's Megalopolis leaves Cannes scratching its head

Life, Kong Rithdee, Published on 20/05/2024

» Every year the Cannes Film Festival has its hottest gig -- a film so breathlessly anticipated and a justification of the festival's raison d'être. This year, that honour belongs to Megalopolis. Or, to be completely faithful according to the plaque flashed up on the screen, Francis Ford Coppola's Megalopolis: A Fable.

LIFE

Coldplay across the universe

Life, Kong Rithdee, Published on 07/02/2024

» The latest Coldplay concert in Bangkok was a feat of photogenic spectacles designed to bedazzle, complete with light-blinking wristbands, sci-fi-warped animation on spherical screens, balloons in the shape of planets and exploding fireworks above the roof of Rajamangala National Stadium ("The football field not often used to play football on," as a Thai national squad member noted.)

LIFE

Apichatpong's memory of the world

Life, Kong Rithdee, Published on 30/06/2021

» It begins with a bang. Maybe the Big Bang, a culmination of cosmic murmur and subterranean hum that explodes like a burst of revelation, a sonic release of the weight of all human pain. In Apichatpong Weerasethakul's new film Memoria, a woman wakes up one morning in Bogota jolted by a mysterious sound -- a metallic, visceral, bottom-of-the-well bang. The woman, orchid farm owner Jessica (played by Tilda Swinton), wanders the Colombian capital in a daze, haunted by the unshakable aural echo, then leaves the city and heads to the mountains, where the phantom of the bang shadows her.

LIFE

The true nature of the beast?

Life, Kong Rithdee, Published on 20/11/2020

» 'Happy families are all alike," said Tolstoy, "every unhappy family is unhappy in its own way."

LIFE

Outstanding films of 2018

Life, Kong Rithdee, Published on 28/12/2018

» From the spiritual to the scary, many genres had quality offerings.

LIFE

Mariah carries on

Life, Kong Rithdee, Published on 13/11/2018

» Mariah Carey came to town as the final stop on her Asian tour, playing the near-capacity crowd at a hall in Bitec Bangna after the supposedly more dramatic setting of Borobudur. "Mariah Carey Live In Concert" last Friday lasted barely 90 minutes, with a set heavy with her 90s R&B hits and a couple of new songs from her latest album, Caution, which comes out this week. No Christmas songs on the set list, though I'm sure quite a few of us sort of half-hoped there would be.

LIFE

Bismillah, Freddie will not let us go

Life, Kong Rithdee, Published on 02/11/2018

» Freddie Mercury, played with an earnest commitment bordering on fetishism by Rami Malek in the biographical film Bohemian Rhapsody, is a rock star the likes of which we hadn't seen before the 1970s and haven't since: An Asian frontman of a British rock outfit, a four-octave opera lover who sang in leotards and thongs, a proud organiser of orgiastic jamborees, and a gay man who endeared himself to the hard-rock audience that, in all likelihood in those pre-diversity days, either failed to realise that their mustachioed rock-god was out-and-out queer or suppressed their suspicion so completely that they didn't feel any cognitive dissonance in their devotion to Queen. Even the name Freddie gave the band laid it all bare.

LIFE

All that glitters

Life, Kong Rithdee, Published on 17/08/2018

» The director as a priest, the camera a confessional box, and the idols worthy of worship become teary girls choked by emotion.