Showing 1 - 3 of 3
Into the devil's lair
Life, Kong Rithdee, Published on 05/11/2021
» Like a session of cinematic séance, Rang Zong (The Medium) channels a cemetery-sized roll call of classic horror elements. The film, recently picked as Thailand's representative for the Oscar's International Feature, is proudly possessed by the ghosts of The Exorcist, The Blair Witch Project, the Paranormal Activity franchise, and Ari Aster's Midsommar, but with Southeast Asia's earthy voodooism, plus a serving of Korean-style blood-and-viscera gore as well as an icing of zombie scare-aesthetics. It's a full-course buffet of fright tricks, complete with an apocalyptic, 30-minute-long exorcism orgy that leaves no spell unuttered and no human unpossessed. All of this is couched in a faux-documentary setup, with handheld shots, grainy CCTV footage and characters speaking directly to the camera.
Keeping it real
Life, Kong Rithdee, Published on 11/10/2018
» Boonsong Nakphoo keeps making movies, regardless of the obstacles. A champion of small people and small stories, he has lamented the difficulties of surviving in the movie business for years and yet he keeps churning out film after film, usually on a meagre budget. His latest output is now in cinemas: Nane Kradod Kampaeng (The Wall) recounts his own early struggle to make it as a filmmaker.
A place where indies can thrive
Life, Kong Rithdee, Published on 08/03/2018
» The stone latticework of Cinema Oasis gives its façade a vaguely Middle Eastern look. Up on the 2nd floor gallery that runs along the screening room, pockets of sunlight shine in through the gaps in the pattern. Looking down, you see what's left of what was once a large pond. An oasis, maybe, as the name suggests.