Showing 1 - 10 of 13
Life, Kong Rithdee, Published on 13/03/2026
» Tight races in several categories as two outstanding American films, Sinners and One Battle After Another, vie for glory with other international titles.
Life, Kong Rithdee, Published on 06/09/2024
» A rocket-bullet plunging into the Moon’s eye, its mouth pursed halfway between a sneer and a smile. You’ve seen it before, but it’s time to witness one of cinema’s most recognisable images from Le Voyage Dans La Lune (1902) in its colour glory at the 8th Silent Film Festival in Thailand, the annual banquet of early cinema hosted by the Thai Film Archive.
Life, Kong Rithdee, Published on 22/05/2020
» Rumour had spread early that morning that the Thai film would win big that night. How big? We daren't dream. The runner-up prize maybe? The Cannes grapevine, in those embryonic days of Facebook and Twitter, was fairly dependable but not downright on the money. It gives you the shape but never the details. The Thai film "will definitely win something", said one of my supposedly well-connected friends, accompanied by a speculative wink.
Life, Kong Rithdee, Published on 28/05/2019
» The odds weren't in Asia's favour, since there were only two films from the continent in competition. But South Korea did it, just like Japan had last year. Bong Joon-ho's Parasite won the Palme d'Or at the 72nd Cannes Film Festival, making it the second year in a row that an Asian film has won world cinema's most coveted prize, after last year's victory of Hirokazu Kore-eda's Shoplifters.
Life, Kong Rithdee, Published on 21/05/2019
» Even on the ground at the Cannes Film Festival, what people seemed to be anticipating most on Monday was, well, the final episode of Game Of Thrones. No, it wasn't being shown at the festival (how unbecoming that would be), but isn't it a sign of our times that a TV episode has the Valyrian-steel nerve to dominate global discussion and upstage the world's biggest film showcase?
Life, Kong Rithdee, Published on 14/05/2019
» The spectacle ahead will -- hopefully (cinema sages are an optimistic bunch) -- be spectacular. The 72nd Cannes Film Festival opens tonight and there are all manner of curiosities to look forward to: an army of hipster zombies; Margot Robbie as Sharon Tate; Korean parasites; a Maradona doc; an Elton John biopic; Islamic extremism in Belgium; British miserabilism (Brexit and other demons); and, of course, Elle Fanning on the red carpet for 11 days straight, performing jury duty at the world's most reported, most hyped and most influential film festival.
Life, Kong Rithdee, Published on 13/12/2018
» This is plain simple: Roma must be seen on the big screen.
Life, Kong Rithdee, Published on 06/04/2018
» The colours in the Thai spy movie Operation Revenge remain as vibrant as when the film first came out 51 years ago. Likewise, the struggle for independence in the Indonesian film Barbed Wired Fence remains intact, as vivid and strong as the image of the college boys projected on the screen when it came out in 1982. These films were on the verge of disintegration when they were revived to their former glory, ready to return to where they belong.
Life, Kong Rithdee, Published on 29/03/2018
» He went down to the crossroads, fell down on his knees, asked the Lord for mercy -- and somehow got it. In this biopic documentary, Eric Clapton -- his place in the pantheon of guitar god-dom guaranteed -- is a tragic genius denounced by his own mother and nurturing a desperate crush on his best friend's wife, which kept his guitar wailing and weeping. Here's a 60s-70s blues-rock maverick who sold his soul to heroin, cocaine, cognac, whatever, and when he emerged from the pit and things began to feel wonderful tonight, he lost his son in a terrible, terrible accident. That a new documentary about his life to date is allowed to end happily is proof that rock'n'roll (and life itself) can cheat the claws of fate and go on for longer than 12 bars.