Showing 1 - 10 of 31
Real women rock
B Magazine, Chanun Poomsawai, Published on 05/07/2020
» "Los Angeles, give me a miracle/ I just want out from this," Este, Danielle and Alana Haim waste no time getting down to the (ugly) business of their hometown on the ska-infused opening track of their latest album Women In Music Pt. III.
Songs for life, for life
B Magazine, Chanun Poomsawai, Published on 28/06/2020
» Say what you will about Carabao and their sometimes questionable politics, there's no denying that they remain one of the most influential phleng phuea chiwit (songs for life) pioneers Thailand has ever seen.
In Plain Language
B Magazine, Chanun Poomsawai, Published on 07/06/2020
» "And that's fine/ I'm wasting away," vocalist Ian Devaney announces over nervy guitars on Tournament, the opening track to Nation of Language's debut album, Introduction, Presence. "I took the long road home/ And it never paid off for me."
The spirit is willing, the body even more so
B Magazine, Chanun Poomsawai, Published on 24/05/2020
» The first time I had the opportunity to see Mike Hadreas, aka Perfume Genius, performing live was in 2015 at the 15th edition of La Primavera Sound, Barcelona's renowned summer music festival.
Miss(ed) Opportunity
B Magazine, Chanun Poomsawai, Published on 15/03/2020
» The rise of synth-pop darling Claire Boucher, aka Grimes, has been a fascinating one.
Top 25 singles of 2019 (Part I)
B Magazine, Chanun Poomsawai, Published on 22/12/2019
» As promised last week, we've gone back through the 200 or so singles we reviewed over the past 12 months, narrowing them down to our favourite 25. But before we get on with the first part of the list, here's what we learned in 2019.
The grey area
B Magazine, Chanun Poomsawai, Published on 10/11/2019
» To this day, no one can really say for certain what happened to Dear Tommy, a supposed follow-up to Chromatics' stunning 2012 opus Kill For Love. According to the popular (and, perhaps, most credible) myth, the record and its previously released singles were scrapped entirely by the band's producer Johnny Jewel, re-recorded, and then … silence. Dear Tommy, it seems, is being put on the back burner, and in its place we have their latest release, Closer To Grey, instead.
Death Becomes Us
B Magazine, Chanun Poomsawai, Published on 03/11/2019
» Well, what do you know -- Foals have managed to pull it off after all. The English indie-rock mainstay finally follows up their Everything Not Saved Will Be Lost Part 1, released back in March, with the second and final instalment. In Part 1, frontman Yannis Philippakis and co got political with tracks like Exits and Sunday while dutifully filling the quota for danceable indie bangers with On The Luna and In Degrees. On the production side, it swung from indie rock and new-wave to funk and disco -- a classic Foals album through and through.
Driving ambition
B Magazine, Chanun Poomsawai, Published on 13/10/2019
» Brisbane-born singer-songwriter and rapper Grace Shaw is not afraid to dream big. "Anything is possible if you just say that you're going to do it. That's honestly such a lifehack," she said recently in an interview with Fader. Shaw, who performs as Mallrat, went on to mention that she hopes to one day write songs for artists like Rihanna, Beyoncé and Camila Cabello. Her aspirations may sound rather ambitious, especially for a relatively new talent. But looking at the 21-year-old's resume, which includes two solid EP releases, a tour with fellow Aussie rapper Allday and opening for Post Malone, you can't help but wonder that she might be on to something.
Fight The Fear
B Magazine, Chanun Poomsawai, Published on 01/09/2019
» In his 1818 poem When I Have Fears, English Romantic poet John Keats talks about death anxiety, touching upon all of the things he wouldn't be able to achieve and/or experience before his demise. This universal fear has continued to resonate today, especially in the age where fear of missing out is constantly triggered by social media and unrelenting hyperconnectivity. The poem, too, has struck a chord with rising Dublin five-piece The Murder Capital and gone on to inspire their eponymous debut studio album rooted firmly in art-rock and post-punk traditions.