Showing 1 - 5 of 5
Same strokes, just a little older
B Magazine, Chanun Poomsawai, Published on 19/04/2020
» "Up on a hill, here's where we begin/ This little story, a long time ago," Julian Casablancas sings on The Modern Age, one of the three tracks on The Strokes' 2001 eponymous debut EP, a precursor to the group's seminal full-length, Is This It.
Full Disclosure
B Magazine, Chanun Poomsawai, Published on 05/04/2020
» When brothers Howard and Guy Lawrence released their impressive debut studio album Settle in 2013, the dance music landscape was already crowded with EDM artists scrambling for their next festival-sized drop. But here's a thing, they weren't looking to simply capitalise on the hype.
Fight The Fear
B Magazine, Chanun Poomsawai, Published on 01/09/2019
» In his 1818 poem When I Have Fears, English Romantic poet John Keats talks about death anxiety, touching upon all of the things he wouldn't be able to achieve and/or experience before his demise. This universal fear has continued to resonate today, especially in the age where fear of missing out is constantly triggered by social media and unrelenting hyperconnectivity. The poem, too, has struck a chord with rising Dublin five-piece The Murder Capital and gone on to inspire their eponymous debut studio album rooted firmly in art-rock and post-punk traditions.
When sleaze gets slick
B Magazine, Chanun Poomsawai, Published on 05/05/2019
» Fat White Family, for the uninitiated, are a South London group trading in all manners of classic punk depravities, rock'n'roll drug habits and songs with imaginatively risqué titles (Cream Of The Young, Is It Raining In Your Mouth?, Bomb Disneyland). Led by founding frontman Lias Saoudi, the band is notorious for their outrageous live gigs, where shocking antics and nudity are not uncommon. As a band, this collective transgression is the unique selling point upon which their 2013 debut album Champagne Holocaust and its follow-up Songs For Our Mothers hinged. It's also the very factor that contributed to "the sort of classic stereotypical drug meltdown", as Lias puts it in his recent interview with Noisey, which led to them getting dropped by US-based Fat Possum Records.
