Showing 1 - 10 of 46
B Magazine, Chanun Poomsawai, Published on 19/07/2020
» It might be nearly a decade ago, but the year 2012 would still go down in history as one of the most vital years for pop music.
B Magazine, Chanun Poomsawai, Published on 28/06/2020
» Say what you will about Carabao and their sometimes questionable politics, there's no denying that they remain one of the most influential phleng phuea chiwit (songs for life) pioneers Thailand has ever seen.
B Magazine, Chanun Poomsawai, Published on 14/06/2020
» If Madonna's long, illustrious career has taught us mortals anything, it's that a pop chameleon makes the best kind of pop music.
B Magazine, Chanun Poomsawai, Published on 03/05/2020
» Born in Japan and raised in London, Rina Sawayama is an artist caught between two cultures and identities.
B Magazine, Chanun Poomsawai, Published on 05/04/2020
» When brothers Howard and Guy Lawrence released their impressive debut studio album Settle in 2013, the dance music landscape was already crowded with EDM artists scrambling for their next festival-sized drop. But here's a thing, they weren't looking to simply capitalise on the hype.
Life, Chanun Poomsawai, Published on 08/03/2020
» NYC's Elliot Moss, although not without a few missteps, translates nocturnal musings into his most personal record so far
B Magazine, Chanun Poomsawai, Published on 23/02/2020
» Throughout their decades-spanning career in the music biz, Pet Shop Boys have always operated within the realm of sophisticated synth-pop that advocates varying degrees of dancefloor abandon. For lyricist Neil Tennant and composer Chris Lowe, however, it's not just about the allure of club culture or pure hedonism. From day one, social consciousness gets woven into the sonic fabric of their music. "In a West End town, a dead-end world/ The East End boys and West End girls," Tennant sings about the class and wealth gap on their 1984 debut single West End Girls.
B Magazine, Chanun Poomsawai, Published on 09/02/2020
» "When I was 18/ Someone got stabbed in a church/ But I got used to it/ And forgave all the ways and the names/ It was so long ago, anyways," vocalist Jeremy Gaudet recounts on Murder In The Cathedral, the opening track to Kiwi Jr.'s debut album, Football Money. The vivid songwriting, buoyed by his bandmates' jangly instrumentation, is delivered with the kind of drawl that would have you thinking fondly of Pavement's Stephen Malkmus and The Strokes as well as the Modern Lovers' Jonathan Richman and Parquet Courts' Andrew Savage.
B Magazine, Chanun Poomsawai, Published on 19/01/2020
» Over the past few years, LA-based artist Sondre Lerche has made it his own little tradition to cover pop hits from the year that's been as a holiday gift to his fans. His past covers range from Miley Cyrus' Wrecking Ball and Drake's Hotline Bling to Sia's Chandelier and Beyoncé's Countdown. To cap off the end of the decade, Lerche has stepped up his game by essentially pulling a Ryan Adams circa 2015. But, instead of Taylor Swift, it's the former queen of pop, Britney Spears.