Showing 1 - 8 of 8
Thai-Danish short story contest open to submissions
Life, Thana Boonlert, Published on 22/10/2025
» Danish Nobel Laureate Karl Gjellerup's novel The Pilgrim Kamanita (1906) recounts a borderless tale of a spiritual quest -- a journey of an Indian merchant's son from carnal desire to nirvana -- that captured the public's imagination. Now, it is time to pen stories that draw inspiration from this Buddhist masterpiece.
Queer Film Festival calls on Southeast Asian auteurs
Life, Thana Boonlert, Published on 04/08/2025
» The second edition of the 29 Queer Film Festival is now accepting submissions until Aug 15.
Creative destruction
Life, Thana Boonlert, Published on 16/06/2025
» Salinee Hanvareevongsilp's family moved home for a job opportunity when she was five and the land was subsequently developed into Siam Square in 1965. Still, it remained her favourite haunt. She frequented three movie theatres in the area -- Siam, Scala and Lido. In Matthayom 3, she protested against Japanese goods on Rama I Road.
Voices of change
Life, Thana Boonlert, Published on 31/03/2025
» What if a media crew goes to great lengths to construct rather than record an event? With this question at heart, Asst Prof Viroj Suttisima, a lecturer at Bangkok University's Faculty of Communication Arts, illuminates the dark side of media ethics in his short story The Last Night Of A Documentary Filmmaker -- winner of the Phan Waen Fah Award in 2024.
Overcoming the odds
Life, Thana Boonlert, Published on 27/04/2023
» Simple, thoughtful, delicious and intelligent.
Ancient art moves to modernise
Life, Thana Boonlert, Published on 10/05/2022
» After a two-year hiatus, Thanyaporn Khongkrathok, 17, and her friends dusted off their kaleidoscopic bird-like costumes. When the curtain was raised, they danced gracefully to pay respect to their ancestors. Thanyaporn has practised nora, the southern performance art, from an early age because she wants to preserve it.
Preserving an ancient art
Life, Thana Boonlert, Published on 26/04/2022
» Despite a two-year hiatus, Nutchanat La-ongsri commanded a stage with unwavering power. Donning a large headpiece, she pulled on a white costume with a red strap tied on her upper body. Her back rose up like a bird's tail. She pressed her hands in front, showing silver bracelets and nail tips. After a wai kru ceremony, she staged a play in nora kaek, the dying breed of performance art from the Deep South.
Will liberal arts perish much like razed Scala?
Oped, Thana Boonlert, Published on 13/11/2021
» Surrounded by a tall fence, the once-grand Scala, the last stand-alone cinema in Bangkok -- a quasi Cinema Paradiso for movie buffs -- was razed to rubble and thus no more.