Showing 1 - 6 of 6
Written in blood
Life, Thana Boonlert, Published on 21/07/2025
» In 2015, Joe Freeman and Aung Naing Soe noticed the prominent status of poetry in Myanmar politics. At the time, both journalists heard that Maung Saungkha, a 23-year-old poet, posted a poem about having a tattoo of an unnamed president on his penis on Facebook. Saungkha, however, was charged for defaming former president Thein Sein under telecommunication law, serving a six-month jail term.
Rebirth in exile
Life, Thana Boonlert, Published on 30/06/2025
» On a poster, Phnom Penh glows dimly from afar. Flickering on the other side of the Mekong River, rows of buildings dissolve, blending with water and sky in the blue hour of twilight. This photo and a whisper are an invitation to stargaze the city glimmering in the distance.
Myanmar artists featured in 'Unsettled Journeys' show
Life, Thana Boonlert, Published on 15/05/2025
» Supples Gallery is presenting the group exhibition "Unsettled Journeys" to highlight the complex experience of six Myanmar artists currently living in Thailand in the wake of military crackdowns, forced conscription and the collapse of civil liberty.
State of art in Singapore
Life, Thana Boonlert, Published on 15/05/2025
» As Singapore marks its 60th anniversary of independence, the Singapore International Festival of Arts (SIFA) returns boldly with the theme of "More Than Ever". While presenting the largest showcase of homegrown talent, the annual performing arts festival is expanding its landscape with an international bent.
MP casts doubts over Upakit's assets
News, Thana Boonlert, Published on 21/02/2023
» Move Forward Party MP Rangsiman Rome on Monday accused Senator Upakit Pachariyangkun of making a false asset declaration after the senator filed a 100-million-baht defamation lawsuit against him last week following the general debate.
Imagining a new world
Life, Thana Boonlert, Published on 17/01/2023
» A few days after the dawn of the new year, I found myself on the move earlier than usual. It is not usually until the second week we hit the ground running. After all, who would fly to Singapore just for an art exhibition? But I took it on because, given the pandemic, its theme seemed timely and powerful. Despite a brief downpour, it was a rewarding experience. Made of earthy materials, some pieces evoked a refreshing sense of self-renewal.