Showing 1 - 10 of 70
Healing the blue
Life, Tatat Bunnag, Published on 03/04/2026
» When we first arrived on the quiet island of Koh Mak in Trat province, I expected turquoise waters, swaying palms and maybe a snorkelling excursion.
A man in the storm
Life, Tatat Bunnag, Published on 18/02/2026
» When Aldis Hodge talks ofreturning to the world of Cross, he doesn't sound like an actor simply reporting back to work but someone reconnecting with something personal.
The school of trauma
Life, Tatat Bunnag, Published on 03/10/2025
» Remember that Netflix documentary last year called The Program: Cons, Cults, And Kidnapping? It exposed the horrors young people endure through parent-sanctioned abductions to so-called academies designed to "fix" wayward kids. That documentary left many of us shaken with its raw look into an industry that preys on fear and promises false solutions.
When ambition shines
Life, Tatat Bunnag, Published on 20/06/2025
» By now, it's hard to find anyone who hasn't heard about the runaway success of GDH's latest Netflix miniseries Mad Unicorn. But if you happen to be one of the few who hasn't started watching it, here's a word of warning: make sure you clear your schedule before hitting play. Because once you begin, I guarantee you'll be pulled into its orbit -- binging episode after episode until day and night blur into one.
A hell of a night. On loop
Life, Tatat Bunnag, Published on 21/05/2025
» In Until Dawn, horror is a ticking clock.
When the past returns
Life, Tatat Bunnag, Published on 21/04/2025
» I usually have a soft spot for Scandinavian thrillers. Oftentimes, they're so unique and interesting that Hollywood ends up remaking them -- like The Girl With The Dragon Tattoo (2009) or The Hunt (2012). There's a kind of slow-burning tension and cold realism to them that you don't always get in American shows. However, while that's usually the case, I have to say that The Glass Dome, the new six-episode Netflix series, doesn't quite measure up -- even though it has potential.
When two genres collide
Life, Tatat Bunnag, Published on 21/03/2025
» I am always intrigued when filmmakers attempt to blend two polar opposite genres -- such as horror and comedy -- just to see how it turns out. These films can either be a surprising hit or an awkward miss. In the case of The Parenting, the latest comedy-horror offering from MAX, I'd say it unfortunately leans closer to the miss side. While it has a decent premise and some entertaining moments, the overall execution falls flat, making it feel more like a missed opportunity than a memorable film.
Dying for love
Life, Tatat Bunnag, Published on 17/03/2025
» After his Oscar-sweeping triumph Parasite (2019), Bong Joon-ho had carte blanche to do just about anything. His follow-up? Mickey 17 -- a US$115 million (3.8 billion baht) sci-fi dark comedy that's equal parts existential nightmare, absurdist farce and strangely, a love story. Based on Edward Ashton's novel Mickey7, the film is genre-defying, thought-provoking and often downright bizarre -- in the best way possible.
Romance meets high-stakes thrills
Life, Tatat Bunnag, Published on 28/02/2025
» When two highly trained operatives are deployed to guard opposite sides of a mysterious gorge, they find themselves drawn to one another, despite strict orders forbidding communication. As darkness emerges from within the gorge, their connection becomes their greatest weapon in a battle for survival.
A deadly game
Life, Tatat Bunnag, Published on 01/11/2024
» First, we had Don't Breathe (2016) and A Quiet Place (2018), where silence is key, then Bird Box (2018), where seeing is danger. Hollywood's current fascination with sensory deprivation has a new addition: Don't Move, a thriller in which the protagonist faces a new kind of terror -- forced paralysis. In this film, the main character is injected with a paralytic agent by a killer, leaving her fighting to survive while her mobility fades.