Showing 1 - 8 of 8
Healing the blue
Life, Tatat Bunnag, Published on 03/04/2026
» When we first arrived on the quiet island of Koh Mak in Trat province, I expected turquoise waters, swaying palms and maybe a snorkelling excursion.
The moral cost of survival
Life, Tatat Bunnag, Published on 31/10/2025
» The deputy bank manager faces immense pressure when he learns that his position is soon to be replaced by artificial intelligence. Struggling with his family's growing financial burdens, he decides to find a desperate way out -- by stealing money from the account of a deceased person, one with no living relatives to verify their identity.
Bangkok's experimental renaissance
Life, Tatat Bunnag, Published on 04/02/2025
» The seventh edition of the Bangkok Experimental Film Festival (BEFF7) concluded its run with a thought-provoking and immersive journey into the realms of virtual and augmented reality, with one of its most highly anticipated highlights being A Conversation With The Sun (VR) by celebrated Thai filmmaker and artist Apichatpong Weerasethakul.
A nameless predator
Life, Tatat Bunnag, Published on 08/11/2024
» In popular culture, the name Zodiac has become almost legendary, with David Fincher's 2007 film Zodiac often hailed as one of the best true-crime thrillers ever made. The story of a nameless killer who terrorised California's Bay Area in the 1960s and 1970s is both terrifying and unresolved -- a puzzle that has kept armchair detectives and true crime fans captivated for decades.
A celebration of cinema
Life, Tatat Bunnag, Published on 06/02/2024
» In the northernmost reaches of Thailand, the third edition of Thailand Biennale is currently unfolding and revealing a plethora of artistic wonders.
A housebound thriller
Life, Tatat Bunnag, Published on 24/05/2021
» Joe Wright's latest directorial thriller The Woman In The Window has recently been the centre of criticism by fans of the book that the film is based on and others who think the premise borrowed too much from Alfred Hitchcock's 1954 classic film Rear Window. But regardless if one calls it a rip off or an homage to Hitchcock, the opening scene of the movie utilises the camera to pan across the interior of a lonely apartment and settle on a TV freeze-frame of James Stewart's anguished face from Rear Window, so at least they're acknowledging the similarities. And yes, this film is also all about peeping.
