Showing 1 - 10 of 31
Art from the ashes
Life, Suwitcha Chaiyong, Published on 25/03/2026
» In 2024, artist Kan Nathiwutthikun, better known as Kan Nathi, experienced living among smoke from wildfires since her house was located near Doi Inthanon in Chiang Mai. After the wildfires were extinguished, Kan asked her assistant to go with her to collect ashes and burnt wood to create artwork. Some of those artworks are now on display at the exhibition "Blueprint of the Apocalypse" at VS Gallery.
The art of optimism
Life, Suwitcha Chaiyong, Published on 12/11/2025
» Artist Watoosiri Jansin, aka Artsaveworld, reflects on poor construction throughout Bangkok with her sculpture titled Maa Cherry Tid Tor Prapaa (Cherry The Dog Stuck In A Water Pipe). The long body of the dog reflects persistent issues.
BACC goes local
Life, Suwitcha Chaiyong, Published on 06/10/2025
» Bangkok Art and Culture Centre is a well-known as an art centre in Bangkok. This year, it launched the Local Networking Project to provide a platform for artists from other regions besides the capital. The project involves fieldwork in various locations across the country. Artists have the opportunity to explore local legends, folktales, unrecorded histories and contemporary community lifestyles.
Recipe for change
Life, Suwitcha Chaiyong, Published on 09/09/2025
» When Weerapon Wongtawan, founder of Lukyang Studio, was selected by the Office of Contemporary Art and Culture to work with a community enterprise in Phetchaburi, he redesigned the packaging of their traditional rice crackers and suggested they be made in smaller sizes.
More than just superstition
Life, Suwitcha Chaiyong, Published on 29/01/2025
» Many Chinese-Thai families believe in the concept of zodiac years which includes belief in pi chong, or unlucky years. This belief has been passed down from generation to generation, so family members of all ages usually participate in rituals to dispel misfortune.
Redefining art
Life, Suwitcha Chaiyong, Published on 21/01/2025
» S.E.A. Focus, a platform and marketplace for contemporary Southeast Asian art, returned for its seventh edition and will run until Jan 26 at Tanjong Pager Distripark in Singapore. Organised by STPI -- Creative Workshop & Gallery and commissioned by the National Arts Council, Singapore, SEA Focus is one of the highlights of Singapore Art Week, the pinnacle of Southeast Asia's visual arts season.
Voices from Chana
Life, Suwitcha Chaiyong, Published on 24/06/2024
» The Rainbow Warrior is used to promote Greenpeace campaigns and is a symbol of protecting the environment and human rights. It was launched on April 29, 1978, against whaling in Iceland and the ship later visited Thailand to promote action against incinerators in Phuket in 2000.
City reflections
Life, Suwitcha Chaiyong, Published on 07/05/2024
» It has been 242 years since Bangkok was established on the eastern banks of the Chao Phraya River in 1782 by King Rama I. Things have changed considerably since then and to showcase modern Bangkok in its various aspects, including society, urban landscape, lifestyle, art and culture, the Bangkok Art and Culture Centre invited 13 artists, creators, activists and researchers from various fields to reflect on the city through creative works, archives, activities and contemporary media at an exhibition titled "Bangkok 242, A Space For Sharing".
Art without borders
Life, Suwitcha Chaiyong, Published on 29/01/2024
» Organised by the Office of Contemporary Art and Culture (OCAC), the third edition of the international contemporary art festival, "Thailand Biennale, Chiang Rai 2023", returns with the theme of "The Open World" from now until April 30. "The Open World" was inspired by the Buddha image in the posture that is called "open world" at Wat Pa Sak in Chiang Saen District.
Call of the wild
Life, Suwitcha Chaiyong, Published on 23/10/2023
» Woraphot Bunkhwamdi is a naturalist with a special interest in the sounds of nature and birds. While he was an undergraduate student at the Faculty of Sciences, Silpakorn University, he was walking on Ao Manao beach in Prachuap Khiri Khan at night and heard the tinkling sound of numerous button top shells being washed up on the shore then pulled back into the sea. The sound of the shells left a lasting impression on him. Woraphot returned to Ao Manao several years later, but never heard that sound again since the numbers of button top shells had decreased. This incident was one of several reasons which encouraged him to record the sounds of nature.