Showing 1 - 10 of 97
In Plain Language
B Magazine, Chanun Poomsawai, Published on 07/06/2020
» "And that's fine/ I'm wasting away," vocalist Ian Devaney announces over nervy guitars on Tournament, the opening track to Nation of Language's debut album, Introduction, Presence. "I took the long road home/ And it never paid off for me."
Full Disclosure
B Magazine, Chanun Poomsawai, Published on 05/04/2020
» When brothers Howard and Guy Lawrence released their impressive debut studio album Settle in 2013, the dance music landscape was already crowded with EDM artists scrambling for their next festival-sized drop. But here's a thing, they weren't looking to simply capitalise on the hype.
From the highway all the way to church
B Magazine, Chanun Poomsawai, Published on 22/03/2020
» This year's first unlikely collaboration has officially arrived courtesy of Houston trio Khruangbin and their fellow Texans, Leon Bridges.
Dictated by night
Life, Chanun Poomsawai, Published on 08/03/2020
» NYC's Elliot Moss, although not without a few missteps, translates nocturnal musings into his most personal record so far
Indie rock done right
B Magazine, Chanun Poomsawai, Published on 09/02/2020
» "When I was 18/ Someone got stabbed in a church/ But I got used to it/ And forgave all the ways and the names/ It was so long ago, anyways," vocalist Jeremy Gaudet recounts on Murder In The Cathedral, the opening track to Kiwi Jr.'s debut album, Football Money. The vivid songwriting, buoyed by his bandmates' jangly instrumentation, is delivered with the kind of drawl that would have you thinking fondly of Pavement's Stephen Malkmus and The Strokes as well as the Modern Lovers' Jonathan Richman and Parquet Courts' Andrew Savage.
Find your inner mystic
B Magazine, Chanun Poomsawai, Published on 02/02/2020
» It's been nearly half-a-decade since Dan Deacon's last album, Gliss Riffer, was unleashed onto the world. On that acclaimed 2015 release, the Baltimore-based composer tackled and found solace in the finality of life through head-spinning highlights like When I Was Done Dying and Sheathed Wings. It was also the first album since his debut LP, Spiderman Of The Rings, that he recorded and produced himself.
The grey area
B Magazine, Chanun Poomsawai, Published on 10/11/2019
» To this day, no one can really say for certain what happened to Dear Tommy, a supposed follow-up to Chromatics' stunning 2012 opus Kill For Love. According to the popular (and, perhaps, most credible) myth, the record and its previously released singles were scrapped entirely by the band's producer Johnny Jewel, re-recorded, and then … silence. Dear Tommy, it seems, is being put on the back burner, and in its place we have their latest release, Closer To Grey, instead.
Death Becomes Us
B Magazine, Chanun Poomsawai, Published on 03/11/2019
» Well, what do you know -- Foals have managed to pull it off after all. The English indie-rock mainstay finally follows up their Everything Not Saved Will Be Lost Part 1, released back in March, with the second and final instalment. In Part 1, frontman Yannis Philippakis and co got political with tracks like Exits and Sunday while dutifully filling the quota for danceable indie bangers with On The Luna and In Degrees. On the production side, it swung from indie rock and new-wave to funk and disco -- a classic Foals album through and through.
Blast off into the not-too-distant past
B Magazine, Chanun Poomsawai, Published on 27/10/2019
» Beadadoobee's backstory is one we're all familiar with: aspiring artist puts out a clip of themselves playing acoustic guitar in their bedroom on YouTube. The video goes viral, et voilà, a star is born. For Manila-born, London-based singer-songwriter Bea Kristi, it all began in 2017 with a cover of Karen O's The Moon Song and her own composition, a two-minute-long acoustic number called Coffee. The latter, set to simple guitar chords and earnest lyrics, has since inspired several covers performed by fans all around the world.
Forever is a long time
B Magazine, Chanun Poomsawai, Published on 29/09/2019
» Let's be frank, bands like Metronomy are hard to come by these days. Call us myopic, but we honestly can't think of any up-and-coming groups who would be savvy enough to come up with classic indie jams like A Thing For Me, The Look, The Bay and Everything Goes My Way. A knack for blending eclectic genres seems to come naturally to the UK quartet, a gift that served them especially well from 2008's Nights Out through to 2014's Love Letters.