Showing 1 - 5 of 5
The beat goes on
Life, John Clewley, Published on 19/12/2023
» Molam continues to evolve with time. Musicians, especially from Isan, are experimenting with new musical combinations, creating new hybrids and sounds.
Lift up your voice
Life, John Clewley, Published on 10/10/2023
» South Africa has a long tradition of harmony singing, stretching back to Soloman Linda's famous 1933 song Mbube, which created a genre of its own to isicathamiya folk singing that led to one of the country's most potent popular genres, mbaqanga and on to gospel choirs.
Stories of migration and hope
Life, John Clewley, Published on 12/09/2023
» In 2016, the Royal Conservatory of Music in Toronto invited musicians, mainly immigrant musicians, to audition for a new global orchestra.
A smoother blue from North Mississippi Allstars
Life, John Clewley, Published on 13/04/2021
» In 2014, I wrote a review about the unique sound of blues rockers North Mississippi Allstars (NMA), whose music is rooted in the "fife and drum" culture of North Mississippi. Unlike in the Mississippi delta, which has a distinctive brand of guitar-driven blues, North Mississippi African-American hill country musicians use fifes (a small shrill flute used in 19th-century military bands), fiddles, banjos, tambourines, snare drums and a huge bass drum to create their local sound.
Tracing the roots of zouk
Life, John Clewley, Published on 08/12/2020
» In 1983, Kassav', a band from the Antilles in the Caribbean, released Zouk La Se Sel Medikamen Non Ni (Zouk Is The Only Medicine We Have). It became the first Antillean record to sell 100,000 copies. Kassav' went on to top the French pop charts with a string of gold albums, drew bigger crowds at their concerts than Prince and put Antillean music firmly on the international musical map.