Showing 1 - 10 of 10
Bonds that can't be broken
Life, Amitha Amranand, Published on 29/07/2021
» Some digital theatre productions that I've seen since the pandemic began have tried to make up for the loss of intimacy and sensory experience that live audience participation allows and the sense of connection to the performance and each other. Sometimes our participation makes the show or is the focus of the show. We the audience help tell the story.
Garden of dreams and delights
Life, Amitha Amranand, Published on 09/05/2019
» B-floor Theatre, Thailand's only physical theatre company, turns 20 this year. And they are marking the occasion with Shakespeare.
Transmitting human angst
Life, Amitha Amranand, Published on 01/03/2018
» Second time's a charm for Fullfat Theatre at Warehouse 30. The company returns to the space that had dwarfed and overwhelmed the troupe's first play [Co/exist] with its sheer size and uninsulated high ceiling. With the new play, Taxiradio, playwright-director and Fullfat co-founder Nophand Boonyai has successfully tamed the rugged space to achieve not only live performance suitability, but also intimacy.
A dull history lesson
Life, Amitha Amranand, Published on 24/08/2017
» Anatta Theatre Troupe's Rak Talerd (Love Astray) is a small play with lots of big messages and an even bigger desire to educate the audience about Field Marshal Plaek Pibulsonggram's regime, from his fascist approach to the modernisation and Westernisation of Thailand to the Franco-Thai War to Siam's alliance with Japan during World War II.
Interpreting the Oct 6 atrocity
Life, Amitha Amranand, Published on 22/09/2016
» Theatre artists continue their commemorations of the upcoming 40th anniversary of the Oct 6, 1976, Thammasat University massacre. Last week, B-Floor Theatre director Teerawat Mulvilai rolled out Fundamental, another powerful dance theatre production that brings the shocking images captured by Neal Ulevich to life and into the present.
Impersonal charisma
Life, Amitha Amranand, Published on 16/09/2016
» Performer and director Ladda Kongdach of Crescent Moon Theatre has quietly impressed Bangkok theatregoers for a few years with her focused, subtle performances, often in supporting roles and sometimes playing several roles in the same production. In her latest work, Parallel [Between The Lines], her second solo show (and first full-length), the artist takes us into her parallel universe to explore the notion of self and another self.
Dancing on urban landscapes
Life, Amitha Amranand, Published on 25/06/2015
» The city and its rhythms inspired two upcoming dancer-choreographers in "Urban Templates", a double bill of contemporary dance programmes that was staged at Creative Industries last weekend.
Gruesome torture relived with both barrels
Life, Amitha Amranand, Published on 06/11/2014
» Almost right after I watched Teerawat "Kage" Mulvilai's solo performance Satapana: Iceberg, I came across Chinese artist Liu Bolin's Hiding In The City performance/photographic series in a book entitled Liu Bolin.
Fresh from the US
Life, Amitha Amranand, Published on 22/03/2013
» The 41st Hong Kong Arts Festival draws to a close today. I was there last week and was able to catch two exciting shows from the US. Here's my take on them.
Steadily Forward
Life, Amitha Amranand, Published on 15/02/2012
» Before ushering the Bangkok Theatre Festival (BTF) into its 10th year, Nut Nualpang, founder of Saosoong Theatre and this year's festival programme director, strapped the regular members of the Bangkok Theatre Network (BTN), comprising a handful of small professional theatre companies, onto the operating table. Not only did they come under the knives of fellow artists and audience members, these theatre practitioners also got to spill their guts in a series of informal talks called kheun khiang (literally "getting on the chopping block").