Showing 1 - 10 of 10
Self-reflective play examines universal truths
Life, Amitha Amranand, Published on 30/03/2017
» Sineenadh Keitprapai and Thanaphon Accawatanyu, two generations of theatre artists, share stories of their dreams, homes and growing up and older in a touching, if not entirely satisfying, collaborative performance, Young Yao (Immature: Adult And Childish Sometimes).
The ambiguity that obscures
Life, Amitha Amranand, Published on 16/02/2017
» One of my favourite poets, Billy Collins, said once: "I think clarity is the real risk in poetry because you are exposed. You're out in the open field. You're actually saying things that are comprehensible, and it's easy to criticise something you can understand."
Swings and misses
Life, Amitha Amranand, Published on 15/12/2016
» These theatre newcomers close 2016 with daring productions. Even though some of the results were uneven, their desire to make meaningful and thought-provoking art is palpable
The historical made personal
Life, Amitha Amranand, Published on 06/10/2016
» We don't know where they are -- a man and a woman, he in a white three-piece suit, she in a white wedding gown. Soon we find out that they don't know where they are either. Then we find out who they are, but soon realise they are not sure.
Art under stress
Life, Published on 02/12/2015
» Life's critics take a look at how artists in different fields reflected upon Thailand's political situation over the past 18 months — or why they chose not to.
Dance of the majority
Life, Kaona Pongpipat, Published on 22/10/2015
» Watching Vidura Amranand dance in swirling red pants, in Teerawat Mulvilai's latest physical performance work Manoland, I was reminded of Somsong, the hysterical stepmother of Fak in Chat Kobjitti's 1985 novel Kam Pipaksa (The Judgement).
Lessons from the trenches
Life, Kaona Pongpipat, Published on 16/07/2015
» Through movements with a bit of monologue and dialogue, B-Floor's Sarut Komalittipong and Sasapin Siriwanij present their debut directorial production WW101 on the occasion of the 101st anniversary of the World War I. The idea began when the two directors travelled to Europe, visiting the Dachau concentration camp and realising how little they actually knew about the World Wars.
Ornanong Thaisriwong feels violated
Life, Kaona Pongpipat, Published on 22/01/2015
» The tag line for Ornanong Thaisriwong's B-Floor Theatre solo performance Bang-La-Merd two years ago, was "My Wonderfully Smiling City". For its restaging, which begins today at Thonglor Art Space, however, it has changed to "The Land I Do Not Own".
Gruesome torture relived with both barrels
Life, Amitha Amranand, Published on 06/11/2014
» Almost right after I watched Teerawat "Kage" Mulvilai's solo performance Satapana: Iceberg, I came across Chinese artist Liu Bolin's Hiding In The City performance/photographic series in a book entitled Liu Bolin.
Pretty is as pretty does
Life, Kaona Pongpipat, Published on 04/09/2014
» In response to Christopher Marlowe's line in Doctor Faustus, "Was this the face that launch'd a thousand ships", performer Sasapin Siriwanij is saying "no".