Showing 1 - 5 of 5
For the days that remain
Life, Kong Rithdee, Published on 17/11/2017
» Challenging taboos, one of Thailand's most popular directors returns with a film that looks death in the eye
That precious gold statuette
Life, Kong Rithdee, Published on 24/02/2017
» The Oscars takes place Monday morning Thailand time. We pontificate and prognosticate the results
Colourful journey into Thailand's soul
Life, Kong Rithdee, Published on 20/01/2017
» The train clangs ahead, moving people and dreams, as it has done since 1893. In Railway Sleepers, a minutely observed film shot entirely on-board a Thai train, we see kids on school trips, young men travelling north and south, hawkers selling food and horoscope books, families and lovers, vacationers who turn the sleeping car into a party venue. They're passengers, and they're also humans. They are, as director Sompot Chidgasornpongse says, a collection of faces that make up a portrait of Thailand.
Doc lovers rejoice!
Life, Kong Rithdee, Published on 18/03/2016
» It is high time for audiences who appreciate the rough-edged reality of documentary films. Of the five nominees of the Oscar for best documentary feature, three had a regular release in Bangkok cinemas (Amy, Cartel Land, The Look of Silence), something unthinkable a few years ago when no distributor wanted to risk showing non-fiction films in cinemas. Now there is almost always at least one documentary film at SF CentralWorld, with the initiation of the independent outfit Documentary Club (in the programme now is The Hunting Ground, about rape crimes in American universities).
Soulful, sorrowful, tragic
Life, Kong Rithdee, Published on 28/08/2015
» Amy is a biographical documentary of the singer Amy Winehouse, but it is also a horror film. Watching it is like watching a ghost, a confused, tortured ghost of a woman who has boundless talent in singing and none in living. As we watch Amy Winehouse -- in home video footage, concert recordings, TV interviews, etc -- it hits us that we're watching her being killed slowly at every passing minute; killed by herself, her addiction, and by the cruel ecosystem of the fame industry that feeds first on her gift then more voraciously on her downfall. This is one of the best documentary films this year, and in some parts it's also one of the hardest to watch.