Showing 11 - 20 of 58
Eyes wide open
Life, Kong Rithdee, Published on 08/05/2020
» The literature about modern Thai politics is not abundant, and by this I mean a narrative that grounds its characters in the double-whammy of coup d'etat and street protest that characterised the mid-2000s to mid-2010s. The period, plus a few years earlier when Thaksin Shinawatra rose to power, contains some of the most convulsive and era-defining moments that continue to shape the visible and invisible dimensions of Thai society in the present time, and it's astonishing that not more writers find it a rich wellspring of artistic expression (on the contrary, visual artists and theatre artists seem more responsive to the political currents of the same period).
Staying afloat on a sea of despair
Life, Kong Rithdee, Published on 13/12/2019
» Chakra (Sarm Heng) is a Cambodian peasant boy who wants to escape a rural existence that offers him no future. "How's Thailand?" he asks a friend who returns from working at a construction site in Bangkok. "If you work hard, there's no problem," his friend assures him. Through trafficking agents, Chakra is smuggled across the border, but instead of being sent to a factory or a construction site, the boy is thrown onto a fishing trawler and forced to work without pay in conditions resembling a floating prison.
Through the prism of history
Life, Kong Rithdee, Published on 04/10/2019
» The book's title is printed on its spine: Prism Of Photography: Dispersion Of Knowledge And Memories Of The 6 October Massacre. Thereafter, from the first page on, we have only photographs with no captions.
Nang Nak at 20
Life, Kong Rithdee, Published on 26/07/2019
» Thai cinema saw a new horizon open 20 years ago up this month. On July 23, 1999, a little film called Nang Nak opened in cinemas. An adaptation of the country's most popular ghost tale about a wife who died in childbirth but stuck around as a spirit waiting for her husband to return from war, the film arrived carrying high hopes -- and exceeded all of them. Nang Nak, directed by Nonzee Nimibutr and written by Wisit Sasanatieng, unleashed an unprecedented momentum of enthusiasm and became the first Thai movie to blaze past the 100-million-baht mark at the box office.
In the realm of Manta Ray
Life, Kong Rithdee, Published on 12/07/2019
» There's a shot of a manta ray in Manta Ray, and one is invited to read into the symbolism of the gliding creature whose journey transcends man-made boundaries. Kraben Rahu (Manta Ray) is the most anticipated Thai film of the year, and after almost a full year of travelling the film festivals of the world, like the majestic fish itself across the ocean, it has come ashore in select Thai cinemas this week.
A night of surprises, some splendid
Life, Kong Rithdee, Published on 28/05/2019
» The odds weren't in Asia's favour, since there were only two films from the continent in competition. But South Korea did it, just like Japan had last year. Bong Joon-ho's Parasite won the Palme d'Or at the 72nd Cannes Film Festival, making it the second year in a row that an Asian film has won world cinema's most coveted prize, after last year's victory of Hirokazu Kore-eda's Shoplifters.
Saint and sensibility
Life, Kong Rithdee, Published on 16/05/2019
» A Christian fable or a Marxist allegory? A magical-realist myth or a political cry against neoliberalism (or feudalism, which produces the same catastrophe anyway)?
Keeping it real
Life, Kong Rithdee, Published on 11/10/2018
» Boonsong Nakphoo keeps making movies, regardless of the obstacles. A champion of small people and small stories, he has lamented the difficulties of surviving in the movie business for years and yet he keeps churning out film after film, usually on a meagre budget. His latest output is now in cinemas: Nane Kradod Kampaeng (The Wall) recounts his own early struggle to make it as a filmmaker.
The pastoral romance returns
Life, Kong Rithdee, Published on 19/09/2018
» The star-crossed lovers coo. They ride their buffaloes through a verdant field, splash mud, evade spiteful parents, and make a vow at the shrine of the banyan tree. But their romance, like all memorable romances in books and life, is doomed by the circumstances of fate, tragic and scarred, and their destiny is one of the most heartbreaking in the canon of Siamese literature and film.
A conversation with Prabda
Life, Kong Rithdee, Published on 23/08/2018
» A woman returns to her condo room after a morning walk. A young man lies injured outside her door. She helps him inside, but something unexpected happens: He claims that the room is, in fact, his, and the woman is trespassing. She refuses to accept such nonsense. The man refuses to budge and demands her to leave.