Showing 1 - 10 of 12
A note on Thailand Biennale
Life, Kong Rithdee, Published on 02/01/2019
» One recent morning at Nopphrat Thara beach, the high tide flooded the lower part of a strange, interwoven structure. Rising from the blue water of the bay, it looked like an island, a new, unmapped island of Krabi visible from this popular spot where tourists visit and board tour boats to outlying islands.
A nation of millions can't hold them back
News, Kong Rithdee, Published on 29/10/2018
» Rhymes and misdemeanours. Yo, yo. Rappers are threatened to be thrown in a slammer.
Sucking the wind out of the elections
News, Kong Rithdee, Published on 05/05/2018
» The verb of the week is "to dood".
In our Oscar worthy Blah Blah Land
News, Kong Rithdee, Published on 25/02/2017
» The bonbon labelled La La Land is likely to rule the Oscars come Monday morning. While in our Blah Blah Land the drama is bitter, the song muted and the sky inclement.
Judging the judges at Cannes
Life, Kong Rithdee, Published on 01/02/2017
» There was a chorus of surprise when the 69th Cannes Film Festival last Sunday awarded its top prize to Ken Loach's welfare drama I, Daniel Blake -- because the film was largely absent from the critical radar during the 12-day festival. A bigger surprise (not to say disappointment) was when the second prize went to Xavier Dolan's melodrama It's Only The End Of The World, because the film was nearly unanimously disliked for its histrionics and theatrical conceits. When the jury, led by Mad Max director George Miller, gave the prize to Dolan's film, a joke sprang up and quickly caught on, inspired by the film's title: yes, for this film to be honoured by Cannes it is the end of the world, or the end of cinema. Apocalypse now!
Colourful journey into Thailand's soul
Life, Kong Rithdee, Published on 20/01/2017
» The train clangs ahead, moving people and dreams, as it has done since 1893. In Railway Sleepers, a minutely observed film shot entirely on-board a Thai train, we see kids on school trips, young men travelling north and south, hawkers selling food and horoscope books, families and lovers, vacationers who turn the sleeping car into a party venue. They're passengers, and they're also humans. They are, as director Sompot Chidgasornpongse says, a collection of faces that make up a portrait of Thailand.
Pokemon goes on run from state capture
News, Kong Rithdee, Published on 13/08/2016
» No, they will not ban Pokemon Go, though it's not hard to tell how tempting that idea must be in the post-referendum landscape where peace, order and national security have been constitutionally enshrined.
Breaking into song on the big vote day
News, Kong Rithdee, Published on 06/08/2016
» Tomorrow is the day. Are you ready? Really, are you ready?Keep calm, get dressed, put on your Sunday smile, and head out to … No, not the referendum booth, or maybe later. First you really must go to the Scala Theatre in Siam Square, where for the first time in Thailand in decades, The Sound of Music will play on the big cinema screen with its historic overflowing of saccharine -- and with one of the strangest anti-dictatorship sentiments ever shown on film.
Romanticising the insurgency
Life, Kong Rithdee, Published on 24/07/2015
» Rarely do we see a Thai film set in the Deep South and rarely do we see a film with so many people saying "assalamu alaikum" to each other. So now that we have one in the cinema, it turns out to be such a piece of romantic fluff that it hardly does justice to the complicated reality of the region and its people. What should we expect when Latitude Tee Hok (Latitude No.6) has been financed by the military — the Internal Security Operations Command, to be precise — and produced by UCI Media, an affiliation of a company that sells communication equipment to the army?
Snowden under siege
Life, Kong Rithdee, Published on 27/03/2015
» The Oscar-winning Citizenfour has opened in Bangkok. An opportune cinema experience here in our land of 99.9% democracy where the contentious Cyber Security Bills are being revised, the so-called Edward Snowden documentary seethes with unsettling power. Its civic outrage is strong, but the cool-headed storytelling gives it gravity. The immediacy of the issue at its heart is also the debate of the early 21st century. And if the film lets us know from the start that it's taking the side of the whistle-blower, all the better.