Showing 1 - 10 of 42
Time for Asean films to shine
Life, Kong Rithdee, Published on 08/12/2021
» The pandemic notwithstanding, it has been a stimulating year for Southeast Asian cinema. Reflective, heartfelt and oddball new titles from Indonesia, Cambodia, Malaysia, Singapore and Thailand have won major prizes or become critical favourites at international film festivals throughout 2021. Now, many of these films are coming to the big screen in Thailand as the Bangkok Asean Film Festival 2021 (BAFF) is set to open tonight.
A note on Thailand Biennale
Life, Kong Rithdee, Published on 02/01/2019
» One recent morning at Nopphrat Thara beach, the high tide flooded the lower part of a strange, interwoven structure. Rising from the blue water of the bay, it looked like an island, a new, unmapped island of Krabi visible from this popular spot where tourists visit and board tour boats to outlying islands.
House RCA retrospective honours Japanese Palme d'Or winner
Life, Kong Rithdee, Published on 27/07/2018
» Hirokazu Kore-eda's Shoplifters will open in Thailand on Aug 2, two months after the film won the Palme d'Or at Cannes Film Festival. Among modern Japanese filmmakers, Kore-eda has amassed the strongest following in Thailand, largely due to the fortunate fact that most of his films -- not all, mind you -- have opened commercially here since 2004. To pave the mood for Shoplifters, a gem of a family drama that finally brought the 56-year-old director one of the highest honours in international cinema, the Thai distribution Mongkol Major brings back seven films by the master in a Kore-eda Retrospective programme at House RCA, starting today.
Sometimes transcendental, always relevant
Life, Kong Rithdee, Published on 25/05/2018
» The American films were on short supply this year at Cannes -- which in turn deprived the assembly line of red carpet material -- but nobody seemed to mind that except, well, some American media and fashion bloggers. That superfluous caveat aside, the recently wrapped 71st Cannes Film Festival was nearly unanimously praised as one of the best editions in recent memory, with a string of good, sometimes very good, titles playing night after night -- and even the bad films weren't so offensively bad, as was often the case. In the midst of soul-searching following the question of relevance (the world wants Avengers), the rise of streaming (the world watches films on phones), the decline of arthouse popularity, Cannes insists on the sacredness of cinema, on the future of the art, and this year it paid off solidly.
The French Connection
Life, Kong Rithdee, Published on 09/05/2018
» In the opening episode of Ten Years Thailand, a group of soldiers arrives at an art gallery to inspect a potentially subversive artwork. What constitutes a kernel of subversion, however, is hard to lay a finger on. So the story shifts: one of the soldiers begins to chat up a pretty maid, and as the Sun is setting the two of them look out from the gallery to the horizon full of shadows. Maybe of hope.
New political bloods meet baptism of fire
News, Kong Rithdee, Published on 10/03/2018
» The right is thrown into panic, like a sick man visited by an apparition of death. Sealed in a cage of obliviousness, they fear the galloping sound of apocalyptic horsemen. Or in their mind, the barbarians at the gate, rattling the rusty chain of power.
On unhappy women and clumsy hitmen
Life, Kong Rithdee, Published on 19/01/2018
» Pen-ek Ratanaruang's movies -- eight of them in the past 20 years and the ninth slated for a Feb 1 release -- are often inhabited by unhappy women and clumsy hitmen. Unhappy, yet those women are neither resigned nor passive. Clumsy, yet those hitmen have aspirations, dreams and worries like people in other respectable professions. A genre geek, Pen-ek likes crime thrillers, but one of Thailand's best-known directors is also a diligent investigator of human relationships and man-woman dynamics, their eccentric and mysterious rapport and misunderstandings that determine the course of the world, and of cinema.
The Genius of Thai cinema
Life, Kong Rithdee, Published on 20/10/2017
» A high-school thriller shows films from the Kingdom can be a hit on the world stage
Windows on the world
Life, Kong Rithdee, Published on 28/09/2017
» As Hussain Currimbhoy sees it, this is a golden age for documentary filmmaking, a time when the criss-crossing narratives of the world tangle with audiences' growing suspicion over traditional media. The emergence of streaming services has also revolutionised distribution philosophy and connected doc-makers with audiences in ways unseen before, especially with audiences who once had little interest in documentary titles.
Play censor ball well, Mr Zuckerberg
News, Kong Rithdee, Published on 06/05/2017
» Dear Mr Zuckerberg,