Showing 1 - 6 of 6
A sick man, on a tour of hospital hell
Life, Kong Rithdee, Published on 07/05/2021
» The Death Of Mr. Lazarescu came out in 2005 and cemented the cinematic potency of the Romanian New Wave and their brand of droll, deadpan and relentlessly realistic movies about life in the ex-socialist state. The film premiered at the Cannes Film Festival 2005 and now, 16 years later, The Death Of Mr. Lazarescu is buried deep in the algorithm of Netflix. But it's there if you look, and I'm bringing it up today because its story of public healthcare apocalypse and accumulated absurdities experienced by a patient trying to find a hospital bed seems more timely, more wickedly serendipitous, than ever.
Hoping to take the top prize East
Life, Kong Rithdee, Published on 16/05/2018
» Asian filmmakers have so far fielded a strong force at the 71st Cannes Film Festival, and when the Palme d'Or is decided on Saturday by the Cate Blanchett-led jury there's a real chance that the top prize might go to one of the Asian titles -- after a Turkish film in 2014 (Winter Sleep) and a Thai film back in 2010 (Uncle Boonmee Who Can Recall His Past Lives).
Guilt and sin minus the politics
Life, Kong Rithdee, Published on 20/04/2018
» The squalor of Manila slums populated by high-school drug runners, then a chaotic precinct ruled by corrupt cops and even more corrupt chiefs -- these are the familiar turfs of Brillante Mendoza, the best-known Filipino filmmaker among international audiences.
The dark side of wife
Life, Kong Rithdee, Published on 24/10/2014
» In Fight Club (1999), David Fincher dishes out a mockery at male machoism, the sweat-soiled, hyperbole manliness manifest through smug violence and Brad Pitt's swagger. What happened, however, was that Fincher's stylish film somehow became a trophy movie for those he aimed his sarcasm at — the macho type adores the film, which isn't that surprising given how cool it is. Flash forward to what we have this week in cinemas worldwide, Gone Girl, a thriller that's probably replicating that curious logic in pop-culture destiny. The film about the absurdity of married life, a dark warning against the cost of domestic bliss, is perhaps a perfect date movie for happy or unhappy couples, since the film's extreme satire takes cover under the sharp, highly engaging narrative and storytelling heft. It's a film worth showing at every wedding anniversary, for entertainment, yes, and to remind the participants of their parts in their own personal movies.
Romancing Kung Fu
Life, Kong Rithdee, Published on 08/03/2013
» Wong Kar-wai's long-awaited biopic of Yip Man is an elegant, elegiac and soulful romance of the kung fu kingdom. It's a swirl of movements, limbs, smoke, droplets, embroidered hems; the fighting is a cubist deconstruction of fists and legs, more sensuous than violent, all atmospheric, a state of mind rather than a corporal brawl.
Cambodian classics re-emerge
Life, Kong Rithdee, Published on 07/03/2012
» The Khmer Rouge, headlong and senseless, arrived in Phnom Penh and spoiled the party. During the so-called Golden Age of Cambodian cinema, from the 1960s to the early '70s, almost 400 films were released in the country. A number of them travelled across the border and were screened in Thai cinemas, some gaining the status of popular entertainment, and at least one, featuring a chattering snake and his love affair with a beautiful woman, becoming a classic remembered today by Thais as a lost, distant dream.