Showing 1 - 8 of 8
Hip-hop's fresh, new voice
B Magazine, Chanun Poomsawai, Published on 26/01/2020
» The first time Thailand was bitten by the rap/hip-hop bug was way back in the mid-90s, when the then unknown Joey Boy introduced the sound and singlehandedly dominated the genre with a slew of hits ranging from Fun, Fun, Fun to Samakom Ta Chan Diew and Loy Talay. Despite being a playful, largely pop-oriented rapper, there's no denying that he was the one who paved the way for daring trailblazers like Fukking Hero, Buddha Bless and Thaitanium.
From his home base
B Magazine, Chanun Poomsawai, Published on 22/09/2019
» It's not often that the success of an artist can be attributed to his/her talent alone. Without the full backing of a major label, most artists would struggle to get the sort of exposure required to bring them international recognition. Thai singer-songwriter Phum Viphurit, however, is an extraordinary exception. Signed to Bangkok's bona fide indie label Rats Records, the young singer-songwriter showed immense potential from the get-go with his 2014 English-language debut single Adore. Since then, he has delivered gem after gem, dealing in breezy folky rock perfect for a road trip to the seaside or a session around the campfire.
J-pop gone rogue
B Magazine, Chanun Poomsawai, Published on 07/04/2019
» Anyone who's been to Japan (or spent a decent amount of time on the internet) would have probably come across T-shirts with puzzling or badly translated English. Perusing CHAI's pastel-hued website gives you a similar experience except that everything actually makes sense -- "We Are New Exciting Onna (female) Band From Japan! NEO KAWAII ! COMPLEX IS ART!," its meta description announces. A click and a quick scroll down also give you an overview on the group's "NEO KAWAII" ethos, which essentially goes against any notions of the classic kawaii ("You don't need to have big eyes or have skinny legs to be KAWAII! There should be many more types of KAWAII, and everyone is KAWAII in her own way … Our insecurities make us who we are. The insecurities become art. KAWAII is a never-ending journey!").
More play, please
B Magazine, Chanun Poomsawai, Published on 21/10/2018
» While a compilation of cover songs is not an earth-shattering concept by any stretch of the imagination, a good one does have the power to bridge the gap between eras and connect/re-connect generations of artists as well as listeners. Conceived in 2009 by the Thai media conglomerate GMM Grammy to celebrate its 25th anniversary, Play Project gave rock-leaning artists a chance to cover their favourite tunes in their own playful style. Its first edition saw the likes of Bodyslam, Potato, Clash and Paradox reinterpreting a range of Thai pop classics including Bird Thongchai's Sia Dai, Mai Charoenpura's Sia Jai Dai Yin Mai and Nantida Kaewbuasai's Lakorn Chaak Sud Tai.
Top of the Pops
B Magazine, Chanun Poomsawai, Published on 29/04/2018
» Pentatonix/ PTX Presents: Top Pop, Vol. I
Primed for pillow talk
B Magazine, Chanun Poomsawai, Published on 25/06/2017
» Moving at a glacial pace, Cigarettes After Sex's eponymous debut album is subdued but deeply evocative in its lust and lingering sense of infatuation.
Comfort moves out of the zone
B Magazine, Chanun Poomsawai, Published on 09/10/2016
» Mean and Co's debut shows they can pull off more than airy acoustic pop songs.