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LIFE

Thailand looks to its artistic big brother

Life, Amitha Amranand, Published on 17/05/2018

» In the past two decades, Bangkok has sprouted several big and small international performing arts festivals -- Bangkok Theatre Festival being the largest event for local productions and Bangkok's International Festival of Dance and Music being the largest for international productions. Then there are emerging festivals spearheaded and run by new bloods like the Bangkok International Performing Arts Meeting that launched last year and the biannual Bangkok International Children's Theatre Fest now in its second instalment.

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LIFE

Shows for all seasons

Life, Amitha Amranand, Published on 15/03/2018

» March kicked off with the return of French choreographer Jérôme Bel to Bangkok, bringing with him two productions to close the French Highlights #3. Then English-speaking theatre company Peel the Limelight celebrated International Women's Day with the premiere of their latest production of Agnes Of God in their new and larger venue, Peel the Limelight Studio, just across from their old home, Spark Drama Studio, at Jasmine City building in Asok. And Bangkok-based Japanese theatre artist Shogo Tanikawa founded his own theatre company Scene Zero and gave birth to a new play. Here are our reviews of these performances.

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LIFE

Transmitting human angst

Life, Amitha Amranand, Published on 01/03/2018

» Second time's a charm for Fullfat Theatre at Warehouse 30. The company returns to the space that had dwarfed and overwhelmed the troupe's first play [Co/exist] with its sheer size and uninsulated high ceiling. With the new play, Taxiradio, playwright-director and Fullfat co-founder Nophand Boonyai has successfully tamed the rugged space to achieve not only live performance suitability, but also intimacy.

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LIFE

The 'scene', in all its glory

Life, Amitha Amranand, Published on 28/12/2017

» It was a busy year for Thai theatre. Life highlights a few trends and picks the best productions of 2017

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LIFE

Freeform art

Life, Amitha Amranand, Published on 01/12/2017

» A decade ago, theatre was still seen an art form on the margin in Thailand. That is less true today. Visual art and design events are beginning to include theatre in their programmes. The new art and design event Freeform Festival has revived an abandoned school building at ACMEN Ekamai Complex with exhibitions, workshops, food trucks, plays and dance. Their performing arts programme is a solid one. Hopefully, this will become another platform for quality theatre in the future.

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LIFE

Gung-ho newcomers and tireless veterans

Life, Amitha Amranand, Published on 23/11/2017

» And yet another Bangkok Theatre Festival (BTF) has come and gone, almost in a flash.

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LIFE

Politics? What politics?

Life, Amitha Amranand, Published on 28/09/2017

» Jaa Pantachat's revival of her 2015 experimental comedic whodunnit Ceci N'est Pas La Politique (This Is Not Politics) may have maintained its original structure and storyline, but in this trimmed and funnier version, it has gained both clarity and poignancy.

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LIFE

Passionate, but ultimately superficial

Life, Amitha Amranand, Published on 21/09/2017

» There is no shortage of passion and potential in the new Thai-language musical, 21¾, about the dreams and struggles of urbanites in their early 20s.

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LIFE

A Thai twist on the Bard

Life, Amitha Amranand, Published on 14/09/2017

» Who wouldn't be excited when some of Thailand's greatest living comedic actors gather for a Shakespeare romp? And even though the vivacious and capable cast of Dreambox's Thai-language production of Twelfth Night (or as it's alternatively known, What You Will), deliver a generally entertaining show, the play at times suffers from its own inhibition and faithfulness to the Bard's text.

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LIFE

Chit Phumisak, on stage

Life, Amitha Amranand, Published on 07/09/2017

» Splashing Theatre returns to the stage with Teenage Wasteland: Summer, Star And The (Lost) Chrysanthemum, a play inspired by the life and work of Chit Phumisak. At times moving, at times frustratingly obscure, Thanaphon Accawatanyu's ambitious new creation makes a subtle statement about institutional violence against Thai youth and political dissidents.