Showing 1 - 10 of 102
Farewell to a maestro
Life, John Clewley, Published on 10/04/2024
» The world of molam has been in mourning since news emerged that Thailand's greatest phin player Thongsai Thap Thanon passed away on March 20 at his home in Warin Chamrap district, Ubon Ratchathani, at the age of 77. The phin is a two- or three-stringed Isan Lao lute that is part of the trinity of molam instruments, along with the iconic khaen (free reed bamboo mouth organ) and the sor (fiddle).
Farewell to a legend
Life, John Clewley, Published on 05/12/2023
» News of the passing of frontman and singer of The Pogues, Shane MacGowan, on Nov 30 sent shockwaves of sadness around the world of Irish music. Tributes were published across media, from the Irish president to his former bandmates.
A joyous sound
Life, John Clewley, Published on 07/11/2023
» In 2001, the legendary US Gospel group Blind Boys of Alabama released an album on Peter Gabriel's Real World Records label. It was a hugely popular album which garnered the band a Grammy Award for Best Traditional Soul Gospel Album. It included their version of Tom Wait's song Way Down In The Hole, which was the theme song for the TV miniseries The Wire. Their version is better than Waits' in my view.
Remembering an icon
Life, John Clewley, Published on 01/08/2023
» On July 13, luk thung singer, actor, movie/TV producer and label owner Phanom Nopporn passed away in hospital at the age of 77. One of the giants of the "country music" genre, fans and stars of the luk thung industry attended his funeral on July 18 at Wat Bang Rak Noi Ban Sai in Nonthaburi.
Root of the matter
Life, John Clewley, Published on 20/07/2023
» Earlier this year, Craft Recordings released the 2CD compilation Birth Right: A Black Roots Music Compendium with the aim of introducing the astonishing variety and depth of black roots music in the US in just 40 songs. Historian Dr Ted Olson and producer Scott Billington have done a great job of presenting a wide range of styles and genres -- from trad jazz to gospel to Louisiana la-la to Gullah music to country blues to brass bands. It's a fascinating musical ride for the listener.
Top tunes this June
Life, John Clewley, Published on 20/06/2023
» Veteran kora master Toumani Diabaté and Kayhan Kalhor soar to the top spot on the June edition of the Transglobal World Music Chart with a new release on Real World, The Sky Is The Same Colour Everywhere. Diabaté is well-known for his cross-cultural collaborations, from his early days with Ketama, a flamenco, jazz, West Africa fusion, to later work with the London Symphony Orchestra (Korolen), while Kalhor is an award-winning Kurdish-Iranian master of the kamancheh (fiddle) and setar (lute).
Let the good times roll
Life, John Clewley, Published on 06/06/2023
» Last month, one of the great explorers and producers of American vernacular music, Chris Strachwitz, passed away. He was 91 years old. He was the founder and co-owner (with Tom Diamant) of Arhoolie Records which since its first release in 1960, Texas Sharecropper And Songster by Texan bluesman Mance Lipscomb, has put out an astonishing 44,000 records.
Suave guitar grooves
Life, John Clewley, Published on 28/03/2023
» The late Malian singer and guitarist Ali Farka Toure took his music on the road, travelling from his beloved farm in Niafunke, in northwestern Mali, to thrill audiences around the globe, until his untimely death in 2006.
Holy trinity
Life, John Clewley, Published on 14/02/2023
» The banjo is a key instrument in Western folk music -- from US bluegrass to Irish trad -- and over the past 20 years, research into the roots of this three-stringed instrument have revealed its west African lute origins, with two instruments, the ngoni and the ekonting, now understood to be the closest ancestors to the banjo.
When East meets West
Life, John Clewley, Published on 17/01/2023
» In 2017, the Japanese band Minyo Crusaders released their debut album, Echoes Of Japan (P-Vine, Japan), to great acclaim. The band's reworking and updating of Japanese folk music, or minyo, on a rhythmic bed of Caribbean, Latin and Afrobeat was truly inspired, and perhaps pointed the way for other fusion bands in East and Southeast Asia. The aim was to revive minyo as "music for the people", as quoted by World Music Central.