Showing 1 - 10 of 23
Into the devil's lair
Life, Kong Rithdee, Published on 05/11/2021
» Like a session of cinematic séance, Rang Zong (The Medium) channels a cemetery-sized roll call of classic horror elements. The film, recently picked as Thailand's representative for the Oscar's International Feature, is proudly possessed by the ghosts of The Exorcist, The Blair Witch Project, the Paranormal Activity franchise, and Ari Aster's Midsommar, but with Southeast Asia's earthy voodooism, plus a serving of Korean-style blood-and-viscera gore as well as an icing of zombie scare-aesthetics. It's a full-course buffet of fright tricks, complete with an apocalyptic, 30-minute-long exorcism orgy that leaves no spell unuttered and no human unpossessed. All of this is couched in a faux-documentary setup, with handheld shots, grainy CCTV footage and characters speaking directly to the camera.
The old skeleton in the closet
Life, Kong Rithdee, Published on 05/04/2019
» Motherly ghosts are Southeast Asia's fiercest creatures, as they cling to their memories with a vengeance. In Marn-Da (The Only Mom), a Myanmar-Thai haunted-house horror, a motherless child wanders her old colonial house -- she was already dead, sure -- looking for love and hugs. When a new family moves in, the girl-ghost finds the perfect mother she never had and the old skeleton in the closet comes tumbling out.
Fierce and pitiful
Life, Kong Rithdee, Published on 20/03/2019
» Krasue is a Thai ghost beside whom vampires -- and other blood-lusting Western monsters -- pale in comparison. Basically a detached head of a woman floating around in the dark, lit up by a phosphorescent glow from her still-beating heart, and with her bloody entrails dangling below the head like an infested creeper, krasue feeds on, naturally, filth, blood, corpses and carcasses. Sometimes it's compared, for the sake of convenience, with Gothic-era will-o'-the-wisp or jack-o'-lantern. But seriously, please, that is a gross under-characterisation that discounts the supreme grotesqueness of krasue, born by the pulpy fantasy of our equatorial folklorists.
A place where indies can thrive
Life, Kong Rithdee, Published on 08/03/2018
» The stone latticework of Cinema Oasis gives its façade a vaguely Middle Eastern look. Up on the 2nd floor gallery that runs along the screening room, pockets of sunlight shine in through the gaps in the pattern. Looking down, you see what's left of what was once a large pond. An oasis, maybe, as the name suggests.
The inevitability of farewell
Life, Kong Rithdee, Published on 16/02/2018
» A truly remarkable Thai film, Malila: The Farewell Flower takes big risks and makes it seem the most natural thing in the world.
The Genius of Thai cinema
Life, Kong Rithdee, Published on 20/10/2017
» A high-school thriller shows films from the Kingdom can be a hit on the world stage
Cinema paradiso no more
Life, Kong Rithdee, Published on 18/08/2017
» Everything changes. It changes in its own time.Cells die. Cells grow. Death and birth happen all the time.Like the mind, it's gone before you even know. Like when I project a movie, a reel of film rotating at high speed looks like a still image.
On the road, with the elephant
Life, Kong Rithdee, Published on 29/06/2017
» Like all roads, this one promises redemption. Like most journeys, the destination is often where one starts off. Pop Aye, a road movie about a man and his elephant on a long trip to the Northeast, is a story of middle-class disillusionment (that's what the middle-class exists for) and the siren call of the rural -- the ambiguous call ringing in the ear of those who feel betrayed by the city.
The outspoken monk
Life, Kong Rithdee, Published on 24/05/2017
» At the start The Venerable W., we see the firebrand Myanmar monk Ashin Wirathu speaking to the camera, calmly and casually. He talks about the African catfish, a creature that "grows fast, breeds a lot and is violent". The punchline is not totally unpredictable: "Muslims are like that."
Cannes at 70 still going strong
Life, Kong Rithdee, Published on 17/05/2017
» Stars, film professionals and journalists have descended en masse to the South of France as Cannes Film Festival opens its 70th edition tonight. Still the world's most influential cinema event despite the shifting landscape brought by streaming services and the rise of TV, Cannes is steadfast in its mission to celebrate world cinema with its programme of established auteurs, as well as discoveries. That, and then the celebrity pages online and in print, will have a busy period as stars and film personalities walk the famous Cannes red carpet during the next 10 days.