Showing 1 - 10 of 13
Music for the soul
Life, John Clewley, Published on 29/08/2023
» Highlife was one of the first popular styles to emerge in post World War II sub-Saharan Africa. It came out of Ghana's clubs and bars in the 1950s, where big swing bands, pioneered by the "King of Highlife" ET Mensah, whipped up one of West Africa's best loved urban dance genres.
Travel notes
Life, John Clewley, Published on 23/05/2023
» Cambodia, like many Southeast Asian countries, enjoyed a golden era of popular music during the 1950s and 1960s, when Phnom Penh, known as the "Pearl of the Orient" became an important cultural centre, a breading ground for the meeting of Western rock and pop and Cambodian music. Author Dee Peyok in her fascinating new book Away From Beloved Lover: A Musical Journey Through Cambodia (Granta, UK, 2023) notes that "the music of East and West merged across Southeast Asia to the most fascinating mélange of instruments, attitudes and expressionism".
Independent in Indonesia
Life, John Clewley, Published on 21/12/2022
» Interest in recorded music, led by DJs and "crate-diggers", has shone a light on some fascinating popular music genres over the past 20-odd years. Soundway Records, set up by Miles Claret in the UK, released its first compilation in 2002 on Afrobeat, funk and fusion from Ghana in the 1970s, and since then has released compilations on African, Caribbean, Latin and Asian music (mainly focusing on the period from 1950s to 1980s, when popular genres were being created by newly independent countries).
Adventure in new lands
Life, John Clewley, Published on 26/04/2022
» British-Sudanese writer Jamal Mahjoub's latest novel The Fugitives is a delightful tale of a fictional Sudanese dance band, the Kamanga Kings, and how the son of one of the founders, an English teacher called Rushdy, reforms the band and goes on a raucous road trip to play their music in the US.
Zamrock shines decades later
Life, John Clewley, Published on 27/04/2021
» Zambian rock and popular music, often dubbed as Zamrock, has featured several times in the column over recent years.
RIP to a legend
Life, John Clewley, Published on 12/05/2020
» Little Richard, one of the pioneers and originators of rock'n'roll, has died at the age of 87. His family made the announcement on May 9 from Nashville, bringing the final curtain down on the life of one of the great innovators of popular music in the 20th century.
Keep on rockin' in a lockdown
Life, John Clewley, Published on 14/04/2020
» The sonic landscape of my life in central Bangkok has changed dramatically over the past few weeks of social distancing. Gone are the sounds of construction drills, booming pile drivers, honking horns, unmuffled motorcyles and throbbing tuk-tuks. I can hear birdsong of all kinds in the mornings and, at dusk, the whirring and squeaking of different bat species as they zoom around hunting for insects.
Motown memories
Life, John Clewley, Published on 22/10/2019
» Songwriters pen the hits but the singers or bands are the big stars, and sometimes the producers are the ones who get the credit. I grew up with the Great American Songbook or "American Standards" at home, played on the piano by my father while we sang the lyrics. These were the songs that featured in Broadway theatre and in Hollywood musicals. What are now known as standards were crafted by George Gershwin, Cole Porter, Irving Berlin, Jerome Kern, Johnny Mercer and Richard Rogers.
Likay lives on
Life, John Clewley, Published on 07/08/2018
» My first experience of popular theatre in Thailand was a likay performance in the main market in Chumpon. I had not been in Thailand for long and was on my way back from a trip to Malaysia, travelling by local bus and train.
Rediscovering the mastery of Masekela
Life, John Clewley, Published on 12/12/2017
» South African jazz trumpeter Hugh Masekela has been playing music for over 70 years and is about to release his 44th album, No Borders (Universal), a particularly apt title in these days of rising nationalism. He told City Press of Capetown recently that his new album has "an international diaspora kind of feel … So that people can see we're all the same".