Showing 1 - 10 of 13
After chaos comes calm
Life, Suwitcha Chaiyong, Published on 08/11/2022
» The third edition of Bangkok Art Biennale 2022 (BAB 2022) with its theme "Chaos: Calm" reflects obstacles that mankind encountered during the Covid-19 pandemic. Both chaos and calm are temporary states that are interchangeable according to situations and conditions.
Hong Kong film fest kicks off in Bangkok
Life, Published on 20/07/2022
» A selection of six movies from the touring "Making Waves -- Navigators Of Hong Kong Cinema" will be screened in Bangkok, Chiang Mai and Khon Kaen over three consecutive weekends.
Time for Asean films to shine
Life, Kong Rithdee, Published on 08/12/2021
» The pandemic notwithstanding, it has been a stimulating year for Southeast Asian cinema. Reflective, heartfelt and oddball new titles from Indonesia, Cambodia, Malaysia, Singapore and Thailand have won major prizes or become critical favourites at international film festivals throughout 2021. Now, many of these films are coming to the big screen in Thailand as the Bangkok Asean Film Festival 2021 (BAFF) is set to open tonight.
The plague is coming
Life, Melalin Mahavongtrakul, Published on 01/02/2019
» Hunger drives the story of Kingdom, in which people fight zombies with swords and make their escape on a cartwheel chase during the 16th-century Joseon Dynasty.
Live thrills
Life, Published on 25/12/2018
» It's been an eventful year for live music. Life takes a look back at some of the highlights, and looks ahead to what 2019 has to offer.
Strange brew
Life, Kong Rithdee, Published on 29/03/2018
» He went down to the crossroads, fell down on his knees, asked the Lord for mercy -- and somehow got it. In this biopic documentary, Eric Clapton -- his place in the pantheon of guitar god-dom guaranteed -- is a tragic genius denounced by his own mother and nurturing a desperate crush on his best friend's wife, which kept his guitar wailing and weeping. Here's a 60s-70s blues-rock maverick who sold his soul to heroin, cocaine, cognac, whatever, and when he emerged from the pit and things began to feel wonderful tonight, he lost his son in a terrible, terrible accident. That a new documentary about his life to date is allowed to end happily is proof that rock'n'roll (and life itself) can cheat the claws of fate and go on for longer than 12 bars.
A new vision on Siam's enduring symbol
Life, Kong Rithdee, Published on 26/04/2017
» The elephant and the man, walking down the road to redemption and encountering the wounded and the marginalised, the madmen and the prostitutes. In the film Pop Aye, which will kick off Bangkok Asean Film Festival 2017 this evening (see sidebar), the fine-tusked beast accompanies the lost soul as the duo find their way home from Bangkok to the Northeast.
Colourful journey into Thailand's soul
Life, Kong Rithdee, Published on 20/01/2017
» The train clangs ahead, moving people and dreams, as it has done since 1893. In Railway Sleepers, a minutely observed film shot entirely on-board a Thai train, we see kids on school trips, young men travelling north and south, hawkers selling food and horoscope books, families and lovers, vacationers who turn the sleeping car into a party venue. They're passengers, and they're also humans. They are, as director Sompot Chidgasornpongse says, a collection of faces that make up a portrait of Thailand.
The fourth dimension
Life, Kanin Srimaneekulroj, Published on 01/07/2016
» As online streaming becomes more and more common, cinemas try to come up with enticing methods for viewing a film, something that can't possibly be replicated on a couch at home. SF Cinema recently unveiled its new MX-4D cinemas, the latest in immersive, 4D movie-viewing. Members of the press were invited to one of them last week to watch Independence Day: Resurgence.
Doc lovers rejoice!
Life, Kong Rithdee, Published on 18/03/2016
» It is high time for audiences who appreciate the rough-edged reality of documentary films. Of the five nominees of the Oscar for best documentary feature, three had a regular release in Bangkok cinemas (Amy, Cartel Land, The Look of Silence), something unthinkable a few years ago when no distributor wanted to risk showing non-fiction films in cinemas. Now there is almost always at least one documentary film at SF CentralWorld, with the initiation of the independent outfit Documentary Club (in the programme now is The Hunting Ground, about rape crimes in American universities).