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Search Result for “hour”

Showing 21 - 25 of 25

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LIFE

Doc lovers rejoice!

Life, Kong Rithdee, Published on 18/03/2016

» It is high time for audiences who appreciate the rough-edged reality of documentary films. Of the five nominees of the Oscar for best documentary feature, three had a regular release in Bangkok cinemas (Amy, Cartel Land, The Look of Silence), something unthinkable a few years ago when no distributor wanted to risk showing non-fiction films in cinemas. Now there is almost always at least one documentary film at SF CentralWorld, with the initiation of the independent outfit Documentary Club (in the programme now is The Hunting Ground, about rape crimes in American universities).

LIFE

Documenting a murderous time

Life, Kong Rithdee, Published on 11/02/2016

» Against all odds, this strange, chilling and powerful film is opening in Bangkok and Chiang Mai cinemas today.

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LIFE

Ones to watch

Life, Kong Rithdee, Published on 01/01/2016

» Clear your schedule for Bangkok's main film event: The World Film Festival of Bangkok, which returns next week for its 13th edition, with a buffet of over 50 movies showing at SF CentralWorld from Nov 13-22.

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LIFE

Wild tales

Life, Kong Rithdee, Published on 13/11/2015

» 'Morning now dawned and Shahrazad broke off from what she had allowed to say…" -- so begins the story on each night of Tales Of 1,001 Nights, the fantastic yarns of peasants, kings, slaves, lovers, viziers, angels, sex, human anatomy (Night 449), devils in the bottle (Night 567), glory, injustice, pleasure, and all the mundane and the magical in the world. It is the collection of some of the greatest tales ever told. But then, what, exactly, is Arabian Nights all about?

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LIFE

The Darkest Hours

Life, Kong Rithdee, Published on 07/08/2015

» A psychosexual Thai gay film is a rare treat -- actually it's almost unprecedented. Anucha Boonyawatana's Onthakarn (The Blue Hour) arrives at SF cinemas this week with a strong tail wind after its premiere in Berlin in February. Nightmarish, oblique and deliberately disjointed, the film is in part ambient horror and in part a brooding drama about family violence centred around a gay teenager. We savour its chilly mood, its haunting wasteland of disaffected youth, though we sometimes wince at the stilted dialogue. What we see is also a confident switch between what's real and what's not, which is to say The Blue Hour is not something for the impatient and the literal-minded.