Showing 1 - 10 of 15
A one-man 'loveable rogues' gallery
B Magazine, Kong Rithdee, Published on 06/05/2018
» Sunny Suwanmethanont raises his thick eyebrows and chuckles. He forks a piece of mango into his mouth while he considers something -- an existential query of sorts.
View from a veteran
Life, Kong Rithdee, Published on 24/03/2017
» The list of hits he has created in the past 20 years is long and staggering: Visute Poolvoralaks, perhaps Thailand's best-known film producer, is the man behind the renaissance of Thai cinema in the mid-1990s with Dang Bireley's And Young Gangsters, Nang Nak and Satree Lex, before becoming part of the hit-making machine GTH to push Fan Chan, Hello Stranger and the highest-grossing Thai film of all time, Phi Mak Phrakanong. Estimated box-office intake commandeered from his desk: nearly 2 billion baht.
Thai independent films going strong
Life, Kong Rithdee, Published on 12/08/2016
» History, identity, cavemen, dwarves -- independent Thai films taking on those subjects (and curiosities) are making the rounds at the film festival circuit this season. While the big multiplex release of the year is likely to be Fanday, the first output from GDH 559 (previously GTH) slated for Sept 1, some Thai indie titles are busily injecting necessary edge and provocation to the scene.
Courting controversy
Life, Kong Rithdee, Published on 13/01/2016
» When creativity crosses the line into insensitivity, there's usually a pattern of uproar, apology and cancellation. In the past many years, there's been a number of notorious cases of insensitive creativity in Thai commercials, series, films and visual representations that have made international headlines. The offensive issues often involve race, skin colour, ethnicity and historical interpretation. There are many more that never made the front page, for example the casual mockery of minorities and genders that is normalised by the audience, such as jokes on the accents of hilltribe people that often appear in movies and TV series.
Lessons from the hitmaker
Life, Kong Rithdee, Published on 20/11/2015
» Surprise, shock and awe greeted the news that GTH, Thailand's most commercially successful movie studio, will close shop at the end of the year.
Expanding the Asean screen
Life, Kong Rithdee, Published on 23/10/2015
» Across Indochina the movie houses are bubbling with energy, and as the region's big brother in popular culture, Thai film is quick to tap into these growing markets. Some recent examples: The teen comedy May Who?, which came out here earlier this month, has just opened in Laos and Cambodia (with the same familiar posters, but with the wriggling scripts of the local languages).
Braving the mainstream
Life, Kong Rithdee, Published on 04/09/2015
» What's so romantic about a public hospital examination room? "It's a small, closed space. The two people in there can't escape each other," says filmmaker Nawapol Thamrongrattanarit.
In search of the next hit
Life, Kong Rithdee, Published on 26/06/2015
» A string of box-office failures, an absence of hits, an onslaught of Hollywood blockbusters, an economic slump, the vacillating, unpredictable taste of audiences — all of this has plunged the Thai film industry into a gloom in the first half of 2015. Home-grown cinema can barely compete with the American juggernauts, but the past six months have been particularly wounding. Usually, Thai films take around 25% of the ticket sales, with Hollywood gobbling up the rest (the total box office value was around 4.5 billion in last year). This year, so far, local movies took a paltry 10%, according to industry analysts.
It's all in the room
Life, Kong Rithdee, Published on 20/02/2015
» In Bon Srolanh Oun, the spirit of a Khmer woman lingers like an abandoned lover in a room. There's a Thai man, or actually two, and their treatment of the forgotten ghost is the backbone of this moody, atmospheric film by director Siwaporn Pongsuwan. Bon Srolanh Oun is a Thai movie with a Cambodian title — the meaning of which shouldn't be revealed here, as it's a mini-spoiler — featuring a Thai and Khmer cast, as well as locations in Bangkok and Phnom Penh, and a narrative that smuggles in sly commentary on Thai-Cambodian relationships.
Hat-trick for Thai cinema
Life, Kong Rithdee, Published on 06/02/2015
» In the snowy German capital, the year's first major cinema festival has kicked off. The 65th Berlin International Film Festival (or Berlinale, as it's better known) opened last night with Nobody Wants The Night, a drama by Spanish director Isabel Coixet, starring Juliette Binoche and Rinko Kikuchi. Some of the hot world premieres include Terrence Malick's Knight Of Cups, Kenneth Branagh's Cinderella, Werner Herzog's Queen Of The Desert, and other art-house darlings. The Berlinale runs until Feb 15, with the Golden Bear being announced next weekend.